26 October 2019

Murmurings in Artlicks and Deptford X


Murmuration at Hart's Lane

Drawing Connections - A two day group collaboration in Deptford

Initial group thoughts: forest, humble materials, newsprint/paper



Installation includes old chair, folder of railway news clippings, charcoal space left behind and frottage collage.
Move along


Responding to the decaying old work space I consider the Deptford X proposal of untold stories, unexpected realities particularly appropriate.
My ancestors, two brothers moved to Deptford from Liverpool in the 1840s both steam engine drivers, most likely to have had apprenticeships with Stevenson as they lived close by in 1830.
These were fast moving times of social change, industry and the railway altered patterns of movement around the country and changed many lives.

Deptford Stories  - railways, pubs and a few local facts (more information in pages)

Drawings are built upon thoughts of a physical structure, working quickly
I use frottage from wood grain and lengthy pine needles together with newsprint to build an image that could have been abandoned long ago in woodland however it didn't dry overnight.

My drawings often evolve through disruption from a random event. I deconstruct yesterdays structure. Now focusing on the building of the viaduct and the people surrounding it including fragments of forgotten news clippings from my ancestors in the 1840/50s. 

This drawing now needs to evolve through alteration by adding an independent voice, Barry disturbs the image and leads it elsewhere.




Drawn conversation


Drawn Conversation

Alison records chance voices on local transport, I use these murmurings of passing through Deptford without content.
Their rhythm, tone, pause, repeat interruptions are transposed into marks creating a visual sound wave of social mobility. Changing accents and languages reformed through a sort of synesthesia.


Group voices murmuring.

Sound installation, speaking from Rilke.
A section spoken by each group member is recorded 
over the top of the previous recording, mingling voices dissolve and reappear murmuring Rilke's words.

https://www.drawingconnections.co.uk

25 October 2019

Drawing Connections at ARTOTS Holland



Micrographity May 2019 Hertogenbosch



The exhibition evolves from an initial group discussion formed around the tangling of words microgravity and drawing concerns. Using simple graphic art materials to generate a process of drawings, how do physical laws appear to the eye?  Disrupt - a moment of change...a micro force.
One tiny moment of impact generates a physical process that continues beyond its source.
Making a series of immediate studies from that instant I notice each is different, each time changing. Energy forms change as they spread, altering from one form to another.
Layers of change develop, gravity affecting forms and deforming, multiplying or disapating, spread, each repeat differs. There is symmetry in this natural force. A memory of a previous trip to Amsterdam, in the Contemporary Museum of Architecture that is surrounded by water, listening to the gentle lapping sounds of 'Slow Moves' by Jose Gonzales that filled the space.
These thoughts dictate both the drawing activity and materials; fluid charcoal, dust, ink, speed, graphite, smudge. Mondrian's rational geometry and observations of the ocean edge become a starting point.
My drawings are continuing from Mondrian's sense of a returning equilibrium, it is this power of intrigue of the moment present in each distinct study from which they evolve.


Disrupt i - 24.4.2019 Charcoal on paper



Drawing Connections at AOH Brighton May 2018



Collaborating with Zahura Hossain




The Roll

Jill Evans & Zahura S. Hossain
Looking at the sea edge, inspired by the  physical momentum of the sea, we witnessed the continuity of the waves forming and disintegrating. Combining our two visual languages and negotiating boundaries we worked directly on to the same roll.
                           

Soundmapping

Alison Carlier and Jill Evans

Calling across the land contours between us, listening to how the voice travels and disappears, failing to reach it’s destination.

Active listening across the gap, aware of the ambient sounds of our surroundings and the absence of the call.


24 October 2017

A Many Sided Thing

A many sided thing

A residency of collaborations

Wimbledon College of Art
16th-27th October 2017


As a member of  'Drawing Connections' I am taking part in the show at Wimbledon Space
The residency begins with an exhibition of an ‘avatar’ from each participant.
I exhibit ‘Left behind’ charcoal on paper. The title is both instruction and circumstance.
I pass these two trees regularly, they are ignored by most, unnoticed in an unkept scrubby patch behind the studio.
Interested in how the eye roams around the shifting detail I need to draw and get lost in the messy tangle. I stand and make several quick charcoal drawings but it becomes to known to my hand and eye, reconstruction begins to stall in its reality.

Left behind
Collaborating together Alison and me walk through the space discussing which direction this collaboration might go.
Our conversation wanders through from an original old door stop that remains fixed in place - a floor that continues up the wall - sounds mingle of people passing through in many directions -  doors banging - fragments of conversation merge in and fade away.

Memories are linked together and I recall a mind sound...

Boinging
...and then laughter behind the toilet door on holiday...for whoever went in their it became compulsory to boing the boingy doorstop.


Boinging
Whistle
Seeing the word brings into the mind the sound of a frequent family walk... the squeaky gates crossing over the railway line with the children a sense of fear, seeing the warning signs, laughing, we whistle as we quickly cross.

Bell in a cold frame
Listening to a radio program on the burying and silencing of Russian Bells ‘ Once heard you can’t unring the bell’.      


Bell in a cold frame

Old and new whistle sign





Whistle booth

Our contribution to the show developed through conversation, linking mindsounds.

An interview with justintime
http://mailchi.mp/ce267e3fd853/just-in-time-arts-events-issues-fri-20-oct-thu-26-oct-2496017?e=9839


16 May 2017

Tate sounds mingling

Wolfgang Tillmans at Tate Modern

'if one thing matters, everything matters' the printed message on Tillmans courier bag sums up the current exhibition. I admire how 'Everything' is spread out on the very basically constructed tables.

Tillmans 'everything' tables

'if one thing matters, everything matters' the printed message on Tillmans courier bag


Janet Cardiff -  audio installation

Stepping into the ring of speakers that surround the listeners down in the tanks below the Tate galleries, separate voices come to my attention and fade away again as I walk around inside the circle. The voices change as I sit down, they form into a choral round, it stops and restarts abruptly, reminding me of once wandering into St Davids Cathedral when on holiday and happening on a full rehearsal of the Welsh Male Voice Choir, a very magical moment.

Otobong Nkanga - audio installation

An installation of white concrete balls in various sizes connected by ropes. Three  separate voices can be heard set apart around the installation emitting song and changing languages from three of the balls. Initially it brings to mind shipping and slavery but on reading the info it is more about a gathering and our connections across networks, the 'interconnectedness of life'.


Out in the connecting space I notice a similar mingling of sounds, voices and footsteps, from the visitors as they pass through, as if a repeating performance of cultural interchange.
https://soundcloud.com/sound-out-loud/tate-tanks-audio-recording-2017-05-13-12-48-51

1 November 2016

Meeting TQ 168 323 Text Work


Walking the Reserve

A Text Work is published on this blog, see pages
Title: Meeting - TQ 168 323 


Part One with Helen and Camilla

A changing view, a walk in photographs, immersed in my surroundings, paying attention to what I see and hear, a type of psychogeography, listening, observing and finding connections between the urban and rural cultural 
environment of this place.



 Part Two with Alison

Tree, plane, breeze



The boardwalk



27 October 2016

A collaboration at Warnham Nature Reserve

I am meeting with friends to embark on a new art collaboration at a central location that sits between us all. 
Warnham Nature Reserve.

Our response will be immediate and individual.

My interest is to observe and react to visual or sound moments or interactions that arise as I walk around the location.

My cognition is not as a motionless observer but is motion sensitive and site specific. Made by the direct and physical response we all have as we encounter our surroundings, it is a selective process for every viewer that depends entirely on personal experiences, desires and purpose.

It is my hope that the presence I find here will reflect back into history, culture and place.


15.10.2016

Walk 1. meet up at the Reserve with Helen and Camilla


Looking along the gravel path towards the reserve.
Starting off



Sharp black decorative trees.
Passing under a sunlit arch.


18.10.2016

Walk 2. A quick walk around the Reserve with Alison



 collection of textures, holly leaves, edge of corrugated iron, woven fence and a variety of trees.
Behind the Hide



A rough area of woodland.
Into the woods

Next post
Walk one - Images. A changing view.
Encounters of place.