tag:blogger.com,1999:blog-51012587202564487392023-11-16T03:21:55.295-08:00jill evans studio timejill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.comBlogger53125tag:blogger.com,1999:blog-5101258720256448739.post-83527677881537513762021-10-03T10:11:00.000-07:002021-10-03T10:11:03.037-07:00The way it is Now<p>Oaks Open 2021</p><p><br /></p><p><span style="font-size: medium;">The Way it is Now</span></p><p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9NMeGRwCQpHoURV2TGQug9eFTpIhjCQ9WTjZ6k7ON6uTVHC8D4Ku9cl6LpjRGw6_SffVsf7Gn9Lsye165Rm6vU0Nm3JuE8GOezV9k5zsiAU40lbXfScMD68iqQRd-e8v5RMsXq4T4sbtn/s3000/IMG_20210925_110431.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9NMeGRwCQpHoURV2TGQug9eFTpIhjCQ9WTjZ6k7ON6uTVHC8D4Ku9cl6LpjRGw6_SffVsf7Gn9Lsye165Rm6vU0Nm3JuE8GOezV9k5zsiAU40lbXfScMD68iqQRd-e8v5RMsXq4T4sbtn/s320/IMG_20210925_110431.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Open studio 2021</td></tr></tbody></table><br /><span style="font-size: medium;"><br /></span></p><p>For my first open studio after lockdown I made a simple and speedy decision to show <i>'The Way it is Now' </i> choosing these small works using the criteria the past, the present and the future.</p><p>I had the ground prepared for two canvases, (not yet named <i>Summers Day</i> and <i>Wait</i> ) in early March 2020 and <i>Inaccessible</i> was unfinished when I went into isolation for 18 months.</p><p>At home I spent a lot of time looking at my old and twisted Wisteria tree, I made several drawings, pen and ink studies and walked.</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrutIkdQ3sAahG1sJS9RdoTU_QPuWQHQG4re-Ezvc6eX4ZIkJtLOIoyqR9NNld-_Ww6mf05A0MrE9agvs86pCL72_rxii4p-zMuQQY162LnTDfAEQlStdFX8PcbKeY5xBvuYy0Pbd987MB/s3807/IMG_20210529_142304__01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2778" data-original-width="3807" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrutIkdQ3sAahG1sJS9RdoTU_QPuWQHQG4re-Ezvc6eX4ZIkJtLOIoyqR9NNld-_Ww6mf05A0MrE9agvs86pCL72_rxii4p-zMuQQY162LnTDfAEQlStdFX8PcbKeY5xBvuYy0Pbd987MB/s320/IMG_20210529_142304__01.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Wisteria pen and ink</i></td></tr></tbody></table><p><br /></p><p>Returning to the studio I had a lot to consider after lockdown, I made a few quick ideas for a new painting based on interrupted verticals and horizontals.</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2w-ednImMuaI_y2PN7it6H00X5D5Zdr8jWQcBdDYaz3B_6hHUm-kK5V5EsnQaBvojb8ThcAe2AIsKFD91lk89Xoy0roQuC3HF2NeW9AZYziuZgMjGYBx99U9pTemMjjcVWUHUlm1k5UOV/s3000/IMG_20210715_160415__01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><i><img border="0" data-original-height="3000" data-original-width="2963" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2w-ednImMuaI_y2PN7it6H00X5D5Zdr8jWQcBdDYaz3B_6hHUm-kK5V5EsnQaBvojb8ThcAe2AIsKFD91lk89Xoy0roQuC3HF2NeW9AZYziuZgMjGYBx99U9pTemMjjcVWUHUlm1k5UOV/s320/IMG_20210715_160415__01.jpg" width="316" /></i></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Study 2021 acrylic on card<br /></td></tr></tbody></table><p><br /></p><p>Concurrently deciding to use the previously unnamed but prepared canvases immediately. I had no initial expectations but needed to work in a very exploratory way. I wanted to be surprised.</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfD8X27jO27YZZhRRaQ_evi81ZcHCkEZ70OsdLEyAvZmyHFxVWFSQhEbs4R49rKrP2ygvZL09yOYPGbSaueTtKkXGUhuQ82N_tBAF3rt_IBQ1FhPpHCIEK3jT8eSbbVkc2R42oEK6lQlhA/s2037/IMG_20210720_163604__01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2023" data-original-width="2037" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfD8X27jO27YZZhRRaQ_evi81ZcHCkEZ70OsdLEyAvZmyHFxVWFSQhEbs4R49rKrP2ygvZL09yOYPGbSaueTtKkXGUhuQ82N_tBAF3rt_IBQ1FhPpHCIEK3jT8eSbbVkc2R42oEK6lQlhA/s320/IMG_20210720_163604__01.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Summers Day </i></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit9_fAKx1sfzZcEcjGXP4gCoTbp8ZVV8pmPwDg8GYlWFZPwYZ05lRfIi77yn2ynuTOQkwvamUA_Tw7F-prLd4bV11p9FdrZuEHEmREA-g43n7HW6B2xys_5k_jpl6M2QiQGL5IebcFks8a/s3000/IMG_20210916_163929.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit9_fAKx1sfzZcEcjGXP4gCoTbp8ZVV8pmPwDg8GYlWFZPwYZ05lRfIi77yn2ynuTOQkwvamUA_Tw7F-prLd4bV11p9FdrZuEHEmREA-g43n7HW6B2xys_5k_jpl6M2QiQGL5IebcFks8a/s320/IMG_20210916_163929.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Inaccessible</i></td></tr></tbody></table><p><br /></p><p>Questioning what is important to me now it was interesting how many questions and comments were asked about the two new paintings <i>Summers Day </i>and <i>Inaccessible. </i>Both of which stand outside my normal way of working.</p><p>These selected small works highlight a fragile system, exposing an interconnectedness of water, earth, space and my environment.</p><p> </p><p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6JJKaysMOzFpBX7cl8oQIwyvs4GFpc2f_IpaQMHrk5tcM6LcQHhmOIQbO2_OqPpotM73oTmGoIhz8iLjOAeSqmceG_JG_A_3SRb-00tUQ1c-2BNBHQP82ribDJhpvCIviaIcyDswUnIdT/s2711/IMG_20210916_163754__01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2022" data-original-width="2711" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6JJKaysMOzFpBX7cl8oQIwyvs4GFpc2f_IpaQMHrk5tcM6LcQHhmOIQbO2_OqPpotM73oTmGoIhz8iLjOAeSqmceG_JG_A_3SRb-00tUQ1c-2BNBHQP82ribDJhpvCIviaIcyDswUnIdT/s320/IMG_20210916_163754__01.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Discarded Shell</i></td></tr></tbody></table><br /></p><p> <span style="font-size: medium;">List of works</span> </p><p><i> Specimen No 5</i> 2013 (shell) in oak frame 17 x 12cm charcoal, acrylic, carbon pencil</p><p><i>Specimen No 6</i> 2013 (shell) in oak frame 17 x 12cm charcoal, acrylic, carbon pencil</p><p><i>Curiosity No 5</i> 2013 (bird skull ) 26 x 20cm pencil and graphite</p><p><i>Oaks Park Leaf</i> Sep 21 14 x 19cm acrylic ink directly from ink dropper</p><p><i>Fallen Oak </i>2021 acrylic ink directly from dropper (image 18 x 21cm) 22 x 27 <span style="white-space: pre;"> </span>framed</p><p><i>Discarded Shel</i>l 2021 (found on rubbish heap in Wolverhampton, almost the furthest point from the sea) oil bar on paper 21 x 30cm</p><p><i>Sea Change</i> in vintage frame 23 x 29cm (image 18 x21)</p><p><i>Sea Change</i> 2015 acrylic, plastic, ink wash - reclaimed frame (image size 29.5 x <span style="white-space: pre;"> </span>20)</p><p><i>Inaccessibl</i>e 2021 acrylic on card in reclaimed frame 35 x 24cm ( 21 x 14 image)</p><p><i>Summers Day</i> 2021 25.5 x 25.5 acrylic on canvas</p><p><i>Wait 2021</i> 25.5 x 25.5 acrylic on canvas</p><p><i>Blue Divide</i> 2004 16.5 x 32.5 oil on board</p><p><i>Crosscurrent 1</i> 2021 30 x 30cm framed, acrylic ink and acrylic on paper</p><p><i>Crosscurrent 2</i> 2021 (image 25.5 x 25.5) 30 x 30cm framed, acrylic ink and <span style="white-space: pre;"> </span>acrylic on paper</p><p><i>Crosscurrent 3</i> 2021 (image 25.5 x 25.5) unframed acrylic ink and acrylic on <span style="white-space: pre;"> </span>paper</p><p><i>Repairing</i> 2012 (image 35x25 cm) charcoal</p><p><i>Reclaimed</i> - materials 2008 31 x 39cm mixed materials, charcoal, graphite</p><p><i>Reclaimed</i> - Dovetail 2021</p><p><i>Switch</i> -Reclaimed Series 2012 ( image 17.5 x 11cm ) cobblers wax and acrylic</p><p><i>Reclaimed</i> cobblers wax and acrylic in small black frame </p><p><span style="font-size: medium;">Additions</span></p><p><i>Unearthed</i> 2010 16.5 x 16.5 acrylic on board</p><p><i>Restricted</i> 2021 16.5 x 16.5 acrylic on board</p><p><i>Sea Change</i> 2009 16.5 x 16.5 acrylic on board </p><p><i>Switch iii</i> May 2019 16.5 x 16.5 acrylic on board</p><p><i>Yield</i> 2011 2019 16.5 x 16.5 acrylic on board</p><p><i>Nudge</i> 2020 16.5 x 16.5 acrylic on board</p><p><i>Forgotten series - Remaining</i> 2017 16.5 x 16.5 acrylic on board</p><p><i>Unfolding</i> 2017 16.5 x 16.5 acrylic on board</p><p><br /></p><p><br /></p>jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-70509011127293363222021-10-01T07:29:00.000-07:002021-10-01T07:29:31.172-07:00Moving into lockdown, looking back to the future.<div><br /><h3 style="text-align: left;">Humbug</h3><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx0xW12y7oCujnjl7BFDNpCiLDaAxSEkY6bXTZIYeGnGYPKY8IpQZrQGfAnUqIstco4Q64AckjylnbksLb01WJVgTgeROFYeM_9E2hmAe4_Smg3LSRvBcBGnakhhdIMMhgOnSs2Gp9MAch/s2048/Humbug+best+lighter%255B1978%255D+%25282%2529.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1385" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx0xW12y7oCujnjl7BFDNpCiLDaAxSEkY6bXTZIYeGnGYPKY8IpQZrQGfAnUqIstco4Q64AckjylnbksLb01WJVgTgeROFYeM_9E2hmAe4_Smg3LSRvBcBGnakhhdIMMhgOnSs2Gp9MAch/s320/Humbug+best+lighter%255B1978%255D+%25282%2529.jpg" width="216" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;">Humbug 2021 oil on board</span></td></tr></tbody></table></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>Reclaiming two offcuts of board I had put aside a few years ago, I notice there is something in these matching shapes that works, I recognise something there, like trying to recall a forgotten word. Changing them around I see a way to continue.</div><div>A simpleness in the symmetry emphasises their repeated form, these household materials appear almost naturalistic, creating a visual similarity to growth patterns in a shell, a chrysalis or maybe the traditional tetrahedral shape of a humbug.</div><div><br /></div><div>I realise that this similarity is in the word humbug too. as a type of synesthesia, visually together but altered.</div><div><br />I also see how this comparison between natural process and waste products now relates to an earlier group of works.</div><div><br />In 2009, I made a series of small drawings around the idea of 'Ocean Crisis' after a return visit to Marloes cove in Wales. Concerned by the quantity of plastic debris I saw there, I took a twenty minute walk along the shore line collecting the plastic waste and later including it in a series.<br /><i>Ocean Crisis 2009 </i>and more recently in<i> Sea </i><i>Change.<br /></i>I first saw Marloes cove in 1979 and had been absolutely amazed by its pure clean beauty, it was shocking to see the changes when returning in 2009.</div><div><br /></div><div>I came across this Ladybird book at around the same time </div><div><br /><div class="separator" style="clear: both; text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAveM6jfSWp3y97WC7SCdDMoU01xE4D8uX1Lcbt31OwAnDzU5dEbFrnW9QYoslSgVgshOfvEy81-rytURZxifpaEU6Y3Ewyig2p36QlUyvC8LXQq4eNOyAeCZwevm9ckRNh2djoWdHZgxU//" style="margin-left: auto; margin-right: auto;"><img alt="" data-original-height="2048" data-original-width="1536" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAveM6jfSWp3y97WC7SCdDMoU01xE4D8uX1Lcbt31OwAnDzU5dEbFrnW9QYoslSgVgshOfvEy81-rytURZxifpaEU6Y3Ewyig2p36QlUyvC8LXQq4eNOyAeCZwevm9ckRNh2djoWdHZgxU/w240-h320/plastic+IMG_20200906_185553+%25281%2529.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"> Ladybird book 'The Story of Plastics' 1972<br /><br /><br /></span></td></tr></tbody></table><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6dzBIpRV2MRSMyXfbXYBLSuV6_4Aiw_c8SutJnxHSdFcRWWDywDpW24f1Y_JHBChjKXrAC4Jtktz5AaJeDAOjEWJVUucL3XXfXoLB5ClqPLWq50lslLQ0xUvlKEZyIaF8SQ62pIKA9VOH//" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1536" data-original-width="2048" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6dzBIpRV2MRSMyXfbXYBLSuV6_4Aiw_c8SutJnxHSdFcRWWDywDpW24f1Y_JHBChjKXrAC4Jtktz5AaJeDAOjEWJVUucL3XXfXoLB5ClqPLWq50lslLQ0xUvlKEZyIaF8SQ62pIKA9VOH//" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"> 'The Story of Plastics' looked at the beginning of how plastics were changing the world.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">Now we are trying to find ways to remove ithem from our oceans</span></div><div class="separator" style="clear: both; text-align: center;"><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOaG5519Yj1jSjLf8LghN753HzIbx3kG5d7oP79DgGFN6vyOBcm_n85D5v7uab7TO29UK3-H1eL09G2FYjsmkT3j6qxVW5_ng1BGvAKQWGrF-9icWt28pmY6f69GLqVcu0RPzPQNDsLDIt/s988/sea+change+plastic+IMG_20210914_151459__01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="657" data-original-width="988" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOaG5519Yj1jSjLf8LghN753HzIbx3kG5d7oP79DgGFN6vyOBcm_n85D5v7uab7TO29UK3-H1eL09G2FYjsmkT3j6qxVW5_ng1BGvAKQWGrF-9icWt28pmY6f69GLqVcu0RPzPQNDsLDIt/s320/sea+change+plastic+IMG_20210914_151459__01.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Sea Change 2015 - acrylic, ink, plastic bag, 29.5 x 20cm</td></tr></tbody></table></div></div><div><br /></div>jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-81173961253476445172019-10-26T05:47:00.001-07:002020-09-04T11:05:59.358-07:00Murmurings in Artlicks and Deptford X <span face="" style="font-size: large;"><br /></span>
<span face=""><span style="font-size: large;">Murmuration </span>at Hart's Lane</span><br />
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<span face="">Drawing Connections - A two day group collaboration in Deptford</span><br />
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<span face="">Initial group thoughts: forest, humble materials, newsprint/paper</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhstxNRnlFkyDu_2k0kZaz5IlQ6xmhI_viGG9MAAIfxc1ZEqSR1crh5jheVtQD6HHe6om72VO-L-H3_PxWht-YEcDk2qU2SKxYtmt4Z5enE6YKs13Aszqhs2tiC30oiA5nQeQlnFEPC6NOT/s1600/install+harts+lane.jpg" style="margin-left: auto; margin-right: auto;"><img alt="Installation includes old chair, folder of railway news clippings, charcoal space left behind and frottage collage." border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhstxNRnlFkyDu_2k0kZaz5IlQ6xmhI_viGG9MAAIfxc1ZEqSR1crh5jheVtQD6HHe6om72VO-L-H3_PxWht-YEcDk2qU2SKxYtmt4Z5enE6YKs13Aszqhs2tiC30oiA5nQeQlnFEPC6NOT/s320/install+harts+lane.jpg" title="Move along" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span face="">In The Matter of This Estate</span></td></tr>
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<span face="">Responding to the decaying old work space I consider the Deptford X proposal of untold stories, unexpected realities particularly appropriate.</span><br />
<span face="">My ancestors, two brothers moved to Deptford from Liverpool in the 1840s both steam engine drivers, most likely to have had apprenticeships with Stevenson as they lived close by in 1830.</span><br />
<span face="">These were fast moving times of social change, industry and the railway altered patterns of movement around the country and changed many lives.</span><br />
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<span face=""><b><i>Deptford Stories - railways, pubs and a few local facts</i> </b>(more information in <b>pages</b>)</span><br />
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<span face="">Drawings are built upon thoughts of a physical structure, working quickly</span><br />
<span face="">I use frottage from wood grain and lengthy pine needles together with newsprint to build an image that could have been abandoned long ago in woodland however it didn't dry overnight.</span><br />
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<span face="">My drawings often evolve through disruption from a random event. I deconstruct yesterdays structure. Now focusing on the building of the viaduct and the people surrounding it including fragments of forgotten news clippings from my ancestors in the 1840/50s. </span><br />
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<span face="">This drawing now needs to evolve through alteration by adding an independent voice, Barry disturbs the image and leads it elsewhere.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitrt1x4tTECDxXKtSRrC_ZGhP0Rzkh-u_VEE80gCGmcmwQ99IKjAjFr5vvGyO5oY_QMN_lEgX-UNnjSDmQq4SImfqIMiSzPpZ77qqrUI7AMJjj2i3NNMtPc78NjCPNUDC38ZX-eCY2vZnB/s1600/deptford+drawn+conversation.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitrt1x4tTECDxXKtSRrC_ZGhP0Rzkh-u_VEE80gCGmcmwQ99IKjAjFr5vvGyO5oY_QMN_lEgX-UNnjSDmQq4SImfqIMiSzPpZ77qqrUI7AMJjj2i3NNMtPc78NjCPNUDC38ZX-eCY2vZnB/s320/deptford+drawn+conversation.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span face="">Drawn conversation</span></td></tr>
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<span face="" style="font-size: large;">Drawn Conversation</span><br />
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<span face="">Alison records chance voices on local transport, I use these murmurings of passing through Deptford without content.</span><br />
<span face="">Their rhythm, tone, pause, repeat interruptions are transposed into marks creating a visual sound wave of social mobility. Changing accents and languages reformed through a sort of synesthesia.</span><br />
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<span face="" style="font-size: large;">Group voices murmuring.</span><br />
<span face="" style="font-size: large;"><br /></span><span face="">Sound installation, speaking from Rilke.</span><br />
<span face="">A section spoken by each group member is recorded </span><br />
<span face="">over the top of the previous recording, mingling voices dissolve and reappear murmuring Rilke's words.</span><br />
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<a href="https://www.drawingconnections.co.uk/">https://www.drawingconnections.co.uk</a><br />
<br />jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-67216406264641462802019-10-25T13:57:00.000-07:002019-10-26T09:34:26.922-07:00Drawing Connections at ARTOTS Holland<span style="font-family: "verdana" , sans-serif;"><br /></span>
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<span style="font-family: "verdana" , sans-serif;"><span style="font-size: large;">Micrographity</span> May 2019 Hertogenbosch</span><br />
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<div dir="ltr" style="line-height: 1.38; margin-bottom: 10pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "verdana" , sans-serif;">The exhibition evolves from an initial group discussion formed around the tangling of words microgravity and drawing concerns. Using simple graphic art materials to generate a process of drawings, </span></span><span style="font-family: "verdana" , sans-serif; white-space: pre-wrap;">how do physical laws appear to the eye?</span><span style="font-family: "verdana" , sans-serif; white-space: pre-wrap;"> Disrupt - a moment of change...a micro force.</span></div>
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<span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "verdana" , sans-serif;">One tiny moment of impact generates a physical process that continues beyond its source.</span></span></div>
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<span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "verdana" , sans-serif;">Making a series of immediate studies from that instant I notice each is different, each time changing. Energy forms change as they spread, altering from one form to another.</span></span></div>
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<span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "verdana" , sans-serif;">Layers of change develop, gravity affecting forms and deforming, multiplying or disapating, spread, each repeat differs. There is symmetry in this natural force. A memory of a previous trip to Amsterdam, </span></span><span style="font-family: "verdana" , sans-serif; white-space: pre-wrap;">in the Contemporary Museum of Architecture</span><span style="font-family: "verdana" , sans-serif; white-space: pre-wrap;"> that is surrounded by wate</span><span style="font-family: "verdana" , sans-serif; white-space: pre-wrap;">r,</span><span style="font-family: "verdana" , sans-serif; white-space: pre-wrap;"> listening to the gentle lapping sounds of 'Slow Moves' by Jose Gonzales that filled the space.</span></div>
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<span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "verdana" , sans-serif;">These thoughts dictate both the drawing activity and materials; fluid charcoal, dust, ink, speed, graphite, smudge.</span></span><span style="font-family: "verdana" , sans-serif; white-space: pre-wrap;"> Mondrian's rational geometry and observations of the ocean edge become a starting point.</span></div>
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<span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "verdana" , sans-serif;">My drawings are continuing from Mondrian's sense of a returning equilibrium, it is this power of intrigue of the moment present in each distinct study from which they evolve.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgexqTN16E21g3EzMGuAchynea90mq4yo526q5ZQZHtxOTUr_vZZDzA_hWjtYq3fn7qqHHIJ944IXSczJfZJZPQkqaFKab5xDaFMDG0Mf9H6gRky-MvlUHvyhztFe9M-SbcLTaQqioQPlW3/s1600/disrupt+micrographity.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1285" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgexqTN16E21g3EzMGuAchynea90mq4yo526q5ZQZHtxOTUr_vZZDzA_hWjtYq3fn7qqHHIJ944IXSczJfZJZPQkqaFKab5xDaFMDG0Mf9H6gRky-MvlUHvyhztFe9M-SbcLTaQqioQPlW3/s320/disrupt+micrographity.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Disrupt i - 24.4.2019 Charcoal on paper</td></tr>
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<br />jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-49791044391806747402019-10-25T08:19:00.001-07:002019-10-25T08:19:38.707-07:00Drawing Connections at AOH Brighton May 2018<br />
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<span style="font-family: Verdana, sans-serif;">Collaborating with Zahura Hossain</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWvu0P6Kp6iToCeunMibXnbrING_V-ERFMeCh_c8eo5HSZbfDIS4akbrLps4OuDlTbJ6_e_F5uAsGfCAZWZBHxR6hyphenhyphenkD2UABj-0m9VLTKTO2n2HoyyTjQ9ftsXJ1CgWCDpW4Mo09vjjWZ4/s1600/roll+brighton+xp.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWvu0P6Kp6iToCeunMibXnbrING_V-ERFMeCh_c8eo5HSZbfDIS4akbrLps4OuDlTbJ6_e_F5uAsGfCAZWZBHxR6hyphenhyphenkD2UABj-0m9VLTKTO2n2HoyyTjQ9ftsXJ1CgWCDpW4Mo09vjjWZ4/s320/roll+brighton+xp.JPG" width="180" /></a></div>
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<span style="white-space: pre-wrap;"><span style="font-family: Verdana, sans-serif; font-size: large;">The Roll</span></span><br />
<span style="white-space: pre-wrap;"><span style="font-family: Verdana, sans-serif;"><br /></span></span>
<span style="white-space: pre-wrap;"><span style="font-family: Verdana, sans-serif;">Jill Evans & Zahura S. Hossain</span></span><br />
<span style="font-family: Verdana, sans-serif;">Looking at the sea edge, <span style="color: #0a0a0a;">inspired by the </span><span style="white-space: pre-wrap;"> physical momentum of the sea,</span><span style="color: #0a0a0a;"> we </span><span style="white-space: pre-wrap;">witnessed the</span><span style="color: #0a0a0a;"> continuity of the</span><span style="white-space: pre-wrap;"> waves forming and disintegrating.</span><span style="color: #0a0a0a;"> C</span><span style="white-space: pre-wrap;">ombining our two visual languages and </span><span style="white-space: pre-wrap;">negotiating boundaries we worked directly on to the same roll.</span></span><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Soundmapping</span><br />
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<span style="margin: 0px;"><span style="font-family: Verdana, sans-serif;">Alison Carlier and Jill Evans </span></span></div>
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<span style="font-family: Verdana, sans-serif;">Calling across the land contours between
us, listening to how the voice travels and disappears, failing to reach it’s
destination.</span></div>
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<span style="margin: 0px;"><span style="font-family: Verdana, sans-serif;">Active listening across the gap, aware of
the ambient sounds of our surroundings and the absence of the call.</span></span></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-16338605770751756302017-10-24T04:42:00.002-07:002018-12-23T11:03:23.693-08:00A Many Sided Thing<span style="font-size: large;">A many sided thing</span><br />
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A residency of collaborations<br />
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Wimbledon College of Art<br />
16th-27th October 2017<br />
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As a member of 'Drawing Connections' I am taking part in the show at Wimbledon Space<br />
The residency begins with an exhibition of an ‘avatar’ from each participant.<br />
I exhibit ‘Left behind’ charcoal on paper. The title is both instruction and circumstance.<br />
I pass these two trees regularly, they are ignored by most, unnoticed in an unkept scrubby patch behind the studio. <br />
Interested in how the eye roams around the shifting detail I need to draw and get lost in the messy tangle. I stand and make several quick charcoal drawings but it becomes to known to my hand and eye, reconstruction begins to stall in its reality.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0aLYy_KnrCq1iQOZamrAvv2dUpmRG1ItrCy24IpyF9vTlYvcjtBntnH1ntkDmPO3AQpBvpZExIaZKAZEBXefbjaX6RMTfJODPuWbqg30PMFbILw623V9wSE2a1NxN1FeO5iSKJsxJc-az/s1600/DSC_0008+%25283%2529.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0aLYy_KnrCq1iQOZamrAvv2dUpmRG1ItrCy24IpyF9vTlYvcjtBntnH1ntkDmPO3AQpBvpZExIaZKAZEBXefbjaX6RMTfJODPuWbqg30PMFbILw623V9wSE2a1NxN1FeO5iSKJsxJc-az/s320/DSC_0008+%25283%2529.JPG" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Left behind</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0aLYy_KnrCq1iQOZamrAvv2dUpmRG1ItrCy24IpyF9vTlYvcjtBntnH1ntkDmPO3AQpBvpZExIaZKAZEBXefbjaX6RMTfJODPuWbqg30PMFbILw623V9wSE2a1NxN1FeO5iSKJsxJc-az/s1600/DSC_0008+%25283%2529.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a></div>
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Collaborating together Alison and me walk through the space discussing which direction this collaboration might go.<br />
Our conversation wanders through from an original old door stop that remains fixed in place - a floor that continues up the wall - sounds mingle of people passing through in many directions - doors banging - fragments of conversation merge in and fade away.</div>
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Memories are linked together and I recall a mind sound...</div>
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<b>Boinging</b><br />
...and then laughter behind the toilet door on holiday...for whoever went in their it became compulsory to boing the boingy doorstop.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXGq8BRnzqwaXO-5u-yb2-YutSLWb-z9MdDHYope1Ng3GaW5Nlp2tg_jo_37eCO_L6lBk4RtBMImP_4JzsnJme9QaGkfUfdNttD31k9OkZS7FpGTvJReNzzD_KHBHw__f8ex8ChM7KdNvb/s1600/P1040434+boinging+2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXGq8BRnzqwaXO-5u-yb2-YutSLWb-z9MdDHYope1Ng3GaW5Nlp2tg_jo_37eCO_L6lBk4RtBMImP_4JzsnJme9QaGkfUfdNttD31k9OkZS7FpGTvJReNzzD_KHBHw__f8ex8ChM7KdNvb/s320/P1040434+boinging+2.jpg" style="cursor: move;" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Boinging</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0aLYy_KnrCq1iQOZamrAvv2dUpmRG1ItrCy24IpyF9vTlYvcjtBntnH1ntkDmPO3AQpBvpZExIaZKAZEBXefbjaX6RMTfJODPuWbqg30PMFbILw623V9wSE2a1NxN1FeO5iSKJsxJc-az/s1600/DSC_0008+%25283%2529.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a></div>
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<b>Whistle</b> <br />
Seeing the word brings into the mind the sound of a frequent family walk... the squeaky gates crossing over the railway line with the children a sense of fear, seeing the warning signs, laughing, we whistle as we quickly cross.</div>
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<b>Bell in a cold frame</b><br />
Listening to a radio program on the burying and silencing of Russian Bells ‘ Once heard you can’t unring the bell’. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi01f8q4M5Hsu6Qxbh46-9OZhzVIwFYdXPCRisikjnISPwL4qSIuzFBt-yWScT7k8y6suYLoDYaudkV64A4TzLB1wYGxupAHrOsJZAoEZgcc2rkPP55aIUtiaPbQ6uyxZ8YQzr8Myvq2wGS/s1600/P1040444.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi01f8q4M5Hsu6Qxbh46-9OZhzVIwFYdXPCRisikjnISPwL4qSIuzFBt-yWScT7k8y6suYLoDYaudkV64A4TzLB1wYGxupAHrOsJZAoEZgcc2rkPP55aIUtiaPbQ6uyxZ8YQzr8Myvq2wGS/s320/P1040444.JPG" width="240" /></a></div>
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<tr><td class="tr-caption" style="text-align: center;">Bell in a cold frame<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvQuCdTNEdOZYdnh93emGudhyDkAPYE3ggxBi7q28pAA6m5BrWAUQ-x_9qJkuKyImWOS3jITzvGtvmNyeuBBB35cFDVeQLX-E6MyUgbEpYHO159R3cZt12XLsCvrqLkxwf52q5imjT-796/s1600/P1040385+whistle.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvQuCdTNEdOZYdnh93emGudhyDkAPYE3ggxBi7q28pAA6m5BrWAUQ-x_9qJkuKyImWOS3jITzvGtvmNyeuBBB35cFDVeQLX-E6MyUgbEpYHO159R3cZt12XLsCvrqLkxwf52q5imjT-796/s320/P1040385+whistle.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Old and new whistle sign</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Whistle booth</td></tr>
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<u></u>Our contribution to the show developed through conversation, linking mindsounds.<br />
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An interview with justintime<br />
http://mailchi.mp/ce267e3fd853/just-in-time-arts-events-issues-fri-20-oct-thu-26-oct-2496017?e=9839<br />
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<br />jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-82986329914192888382017-05-16T10:16:00.002-07:002017-05-16T10:16:58.662-07:00Tate sounds minglingWolfgang Tillmans at Tate Modern<br />
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'if one thing matters, everything matters' the printed message on Tillmans courier bag sums up the current exhibition. I admire how 'Everything' is spread out on the very basically constructed tables.<br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Tillmans 'everything' tables</i></td></tr>
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<i>'if one thing matters, everything matters' the printed message on Tillmans courier bag</i> </div>
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<b>Janet Cardiff</b> - audio installation<br />
<br />Stepping into the ring of speakers that surround the listeners down in the tanks below the Tate galleries, separate voices come to my attention and fade away again as I walk around inside the circle. The voices change as I sit down, they form into a choral round, it stops and restarts abruptly, reminding me of once wandering into St Davids Cathedral when on holiday and happening on a full rehearsal of the Welsh Male Voice Choir, a very magical moment. <br />
<br /><b>Otobong Nkanga</b> - audio installation<br />
<br />An installation of white concrete balls in various sizes connected by ropes. Three separate voices can be heard set apart around the installation emitting song and changing languages from three of the balls. Initially it brings to mind shipping and slavery but on reading the info it is more about a gathering and our connections across networks, the 'interconnectedness of life'.<br />
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Out in the connecting space I notice a similar mingling of sounds, voices and footsteps, from the visitors as they pass through, as if a repeating performance of cultural interchange.<br />
<a href="https://soundcloud.com/sound-out-loud/tate-tanks-audio-recording-2017-05-13-12-48-51">https://soundcloud.com/sound-out-loud/tate-tanks-audio-recording-2017-05-13-12-48-51</a><b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-74106049690543672032016-11-01T16:28:00.001-07:002016-11-04T16:36:31.652-07:00Meeting TQ 168 323 Text Work <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "verdana" , sans-serif;">Walking the Reserve</span></div>
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<span style="font-family: "verdana" , sans-serif;">A Text Work is published on this blog, see pages</span></div>
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<span style="font-family: "verdana" , sans-serif;">Title: </span><span style="font-family: "verdana" , sans-serif;">Meeting -</span><i style="font-family: verdana, sans-serif;"> TQ 168 323 </i></div>
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<span style="font-family: "verdana" , sans-serif;">Part One with Helen and Camilla</span></div>
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<span style="font-family: "verdana" , sans-serif;">A changing view, a walk in photographs, immersed in my surroundings, </span><span style="font-family: "verdana" , sans-serif;">paying attention to what I see and hear, a t</span><span style="font-family: "verdana" , sans-serif;">ype of psychogeography, </span><span style="font-family: "verdana" , sans-serif;">listening, observing </span><span style="font-family: "verdana" , sans-serif;">and finding connections between the urban and rural cultural </span></div>
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<span style="font-family: "verdana" , sans-serif;">environment of</span><span style="font-family: "verdana" , sans-serif;"> this place.</span></div>
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<span style="font-family: "verdana" , sans-serif;"> Part Two with Alison</span></div>
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<span style="font-family: "verdana" , sans-serif;">Tree, plane, breeze</span></div>
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<span style="font-family: "verdana" , sans-serif;">The boardwalk</span></div>
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<br />jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-65943126277068271972016-10-27T15:50:00.000-07:002016-10-27T15:50:49.175-07:00A collaboration at Warnham Nature Reserve<span style="font-family: "verdana" , sans-serif;">I am meeting with friends to embark on a new art collaboration at a central location that sits between us all. </span><br />
<span style="font-family: "verdana" , sans-serif;">Warnham Nature Reserve.</span><br />
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<span style="font-family: "verdana" , sans-serif;">Our response will be immediate and individual.</span><br />
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<span style="font-family: "verdana" , sans-serif;">My interest is to observe and react to visual or sound moments or interactions that arise as I walk around the location. </span><br />
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<span style="font-family: "verdana" , sans-serif;">My cognition is not as a motionless observer but is </span><span style="font-family: "verdana" , sans-serif;">motion sensitive and site specific. </span><span style="font-family: "verdana" , sans-serif;">Made by the direct and physical response we all have as we encounter our surroundings,</span><span style="font-family: "verdana" , sans-serif;"> </span><span style="font-family: "verdana" , sans-serif;">it is a selective process for every viewer that depends entirely on personal experiences, desires and purpose.</span><br />
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<span style="font-family: "verdana" , sans-serif;">It is my hope that the presence I find here will </span><span style="font-family: "verdana" , sans-serif;">reflect back into history, culture and place.</span><br />
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<span style="font-family: "verdana" , sans-serif; font-size: large;">15.10.2016</span><br />
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<span style="font-family: "verdana" , sans-serif;">Walk 1. meet up at the Reserve with Helen and Camilla</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUecEbRBY7Zgh1_oz3z9iBNxk3_OjN1URbTpLur8oXNzaZECGysyFMdbyBDChOszYGQvW0628ihqR2gx3RmL5eZ9bkqxvLFOr2pQdHfizKWZMADR4be5L55WAQ4JUTrO7kmRWpcewogaGH/s1600/DSC_0027.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Looking along the gravel path towards the reserve." border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUecEbRBY7Zgh1_oz3z9iBNxk3_OjN1URbTpLur8oXNzaZECGysyFMdbyBDChOszYGQvW0628ihqR2gx3RmL5eZ9bkqxvLFOr2pQdHfizKWZMADR4be5L55WAQ4JUTrO7kmRWpcewogaGH/s400/DSC_0027.JPG" title="Starting off" width="225" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "verdana" , sans-serif;">Starting off</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBaa-tQxlDOeoRclYhngL4F5-2Wo_Zc63HucLMOkwKEbeoUwzVoytmsGMk9gD-tUTa_iGIXPun-P_yVbfQoVPTLaBQEmy2E5ouHHdw5g6Hih8GX_Ut6qbaHpdZymJ4DOQ5WLa0AfuUaKtl/s1600/DSC_0053.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Sharp black decorative trees." border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBaa-tQxlDOeoRclYhngL4F5-2Wo_Zc63HucLMOkwKEbeoUwzVoytmsGMk9gD-tUTa_iGIXPun-P_yVbfQoVPTLaBQEmy2E5ouHHdw5g6Hih8GX_Ut6qbaHpdZymJ4DOQ5WLa0AfuUaKtl/s400/DSC_0053.JPG" title="Passing under a sunlit arch." width="400" /></a></td></tr>
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<span style="font-family: "verdana" , sans-serif; font-size: large;">18.10.2016</span><br />
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<span style="font-family: "verdana" , sans-serif;">Walk 2. A quick walk around the Reserve with Alison</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKBV8Mua8wKB2Uq5dpF_Sqq7KMW6C2fqQVoWis1bzzct_pCRyVDxgQVtxMYu2PkIwCVKvP89POfyykIBr3y7MN9s92j-JyZU_mw5BXWfarJiUwUWo7K8oLPEHHRyjLro82mS7doxAG2f0s/s1600/DSC_0114.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt=" collection of textures, holly leaves, edge of corrugated iron, woven fence and a variety of trees." border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKBV8Mua8wKB2Uq5dpF_Sqq7KMW6C2fqQVoWis1bzzct_pCRyVDxgQVtxMYu2PkIwCVKvP89POfyykIBr3y7MN9s92j-JyZU_mw5BXWfarJiUwUWo7K8oLPEHHRyjLro82mS7doxAG2f0s/s400/DSC_0114.JPG" title="Behind the Hide" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "verdana" , sans-serif;">Behind the Hide</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Py3IXKKXrNSzYatRmcCtssCXQUW6SEOipMXdyzzGjArHJzy6PRJHHIAGo7a6cz6631XP2lDG2TFf0RkzcbivdSgAV6Hjo_pXQlYvmEyYPD6fbl60Nx63wtJdJJpil0T_wlXUMAGviE3s/s1600/DSC_0117.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="A rough area of woodland." border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Py3IXKKXrNSzYatRmcCtssCXQUW6SEOipMXdyzzGjArHJzy6PRJHHIAGo7a6cz6631XP2lDG2TFf0RkzcbivdSgAV6Hjo_pXQlYvmEyYPD6fbl60Nx63wtJdJJpil0T_wlXUMAGviE3s/s400/DSC_0117.JPG" title="Into the woods" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "verdana" , sans-serif;">Into the woods</span></td></tr>
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<span style="font-family: "verdana" , sans-serif; font-size: large;">Next post</span><br />
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<span style="font-family: "verdana" , sans-serif;"><br /></span>jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-75207133935530226192014-09-22T06:38:00.000-07:002014-09-22T06:52:50.381-07:00Sound Drawing and connections to Abstract Drawing<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4heoTqzDKJu5NpD6oeRDPI2XrVMc7JchqySAroiATGUtUcIv5pYEkvXi0R0xHp0nVOYXqCx4qPUYCqgzwBpPLIchCi7KImWC4sLBWTjlUWlU4WkrqdrfT5egoGjSUnOo2XU1Xj5kVgJ40/s1600/205.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Sound Drawing, 5 track speakers, logs, cable" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4heoTqzDKJu5NpD6oeRDPI2XrVMc7JchqySAroiATGUtUcIv5pYEkvXi0R0xHp0nVOYXqCx4qPUYCqgzwBpPLIchCi7KImWC4sLBWTjlUWlU4WkrqdrfT5egoGjSUnOo2XU1Xj5kVgJ40/s1600/205.JPG" height="400" title="Sound Drawing, 5 track speakers, logs, cable" width="300" /></a></div>
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Listening again to my <i>Sound Drawing 2013. </i>I was showing it with my abstract drawings<i> </i>over the two day Oaks Park Open Studios this summer. It sounds a lot better in a big space.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhta677qP8KQDTrJHElXY3ODk2uHQ35M0Dfs3EjzOIDsBa6Ld5lO7XgobAXOtFKsoXJ71-eKn3qWuhffpvo_3z9ofkvZQVf5OyIvYv2aOyEPHd31_9Yr17vDEl9myCK37NY9bTFRG26H7RK/s1600/show+speakers+P1020517.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhta677qP8KQDTrJHElXY3ODk2uHQ35M0Dfs3EjzOIDsBa6Ld5lO7XgobAXOtFKsoXJ71-eKn3qWuhffpvo_3z9ofkvZQVf5OyIvYv2aOyEPHd31_9Yr17vDEl9myCK37NY9bTFRG26H7RK/s1600/show+speakers+P1020517.jpg" height="320" width="247" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNxSE2QbJCPKnfrXfVyY1vdONMjAJvrxRCgybSCJnj7-bmGIo-Q9KEg8c94wUURZ2kIazI2S8A-ZPuftVIRZUPuD_R9sy7SqpcKlGpJeGxPMf8SpHxooGCC2emjJm95xapaYi-b7pvnHsI/s1600/show+closed+book+P1020536.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNxSE2QbJCPKnfrXfVyY1vdONMjAJvrxRCgybSCJnj7-bmGIo-Q9KEg8c94wUURZ2kIazI2S8A-ZPuftVIRZUPuD_R9sy7SqpcKlGpJeGxPMf8SpHxooGCC2emjJm95xapaYi-b7pvnHsI/s1600/show+closed+book+P1020536.jpg" height="320" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sound Drawing and closed sketchbook from Snowdonia Long Drawing</td></tr>
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A sample can be found here:</div>
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https://soundcloud.com/sound-out-loud/up-20high-20walk-20-20track#t=0:21</div>
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The two days were packed with discussions. A little lad listening with his dad explained ( after his dad enquired about my sound drawing) ' The sounds are like charcoal and the drawings and the logs are burnt on the fire to make the charcoal', it's wonderful the way children can grasp easily just what they see.<br />
I love this photo taken by Helen Goodwin of the MA show set up, as Alison Carlier and me dance to a section of sound drawing with the rhythm of fast walking downhill.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAPR4OJ0WpDZhoyAg05bQZS0DbAM_FUjX4fQ6bJOeiauA25p-VHi3tasWVmjcKNHyTL1FOLgPplwFjvqHJFeOeWZfbI8vB9DOcmYIAxzcL1RN7gIL9X3A81kB4alImXtigIqQDmRrob07q/s1600/dancing+in+Taze2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAPR4OJ0WpDZhoyAg05bQZS0DbAM_FUjX4fQ6bJOeiauA25p-VHi3tasWVmjcKNHyTL1FOLgPplwFjvqHJFeOeWZfbI8vB9DOcmYIAxzcL1RN7gIL9X3A81kB4alImXtigIqQDmRrob07q/s1600/dancing+in+Taze2.jpg" height="240" width="320" /></a></div>
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As a lady walks into the room she notices the trees outside and my quick tree sketches, as we discuss the Sound Drawing she recalls the memory of being unwell one day on holiday and remaining in her room became fascinated by the ever changing qualities of tree outside the window. On her return home, the photograph she took as a reminder was extremely disappointing, it captured nothing of her fascination. Every individuals memory of a place contains much more than the click of a static camera.</div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-79430689877675405882014-09-22T04:43:00.001-07:002014-09-22T04:46:36.307-07:00Abstract Drawing, a book, a scrap of fabric and an old skirt.<br />
I attended the <i>Abstract Drawing</i> seminar at the Drawing Room in London, earlier this year. Richard Deacon spoke in detail with a careful search for his words. 'You draw as a witnessing activity' he says and considers abstract drawing is a work made purely for itself. He questions how we read the shapes and marks 'I am obviously a rule based person' 'interested in both lines and process', Deacon is finding his thoughts in a physical place as he speaks, drawing it out with his hands in silent gesture as he moves through his thoughts.<br />
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During the Q&A he asks do you think space is abstract or concrete? A very big question.<br />
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I remember this when gazing at the wonderful tiny pencil sketch in <i>Malevich</i> at the Tate Modern.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvbxJEKoqfddjm-6dlySMxux0hGntsW0KW68yYMiwhkmU5M8jVPQvYAtSHez6QU8D61iy-X7SDZFA-DimnuayuiZ7FkS1NQwFBlpz6MsFIJxcQ1Nqpzr5-EXP80IRtVZqkKkoiIKK3p8Ga/s1600/P9220020+malevich+scketch.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Suprematist Composition and Self-Portrait pencil on paper 2014" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvbxJEKoqfddjm-6dlySMxux0hGntsW0KW68yYMiwhkmU5M8jVPQvYAtSHez6QU8D61iy-X7SDZFA-DimnuayuiZ7FkS1NQwFBlpz6MsFIJxcQ1Nqpzr5-EXP80IRtVZqkKkoiIKK3p8Ga/s1600/P9220020+malevich+scketch.jpg" height="302" title="Suprematist Composition and Self-Portrait pencil on paper 2014" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small; text-align: start;">Suprematist Composition and Self-Portrait 2014</span></td></tr>
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Last week I discovered a book on the abstract artist John Carter written by Chris Yetton in 2010 and published by the Royal Academy. These were both influential tutors when I was at Chelsea College of Art. I had many long and valuable discussions with John Carter at a time my painting was in transition. <i>Heuristic</i> painted at this time was the beginning of my new work.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh38sLGzP3rQVd3URpfbgLfbJZxFkiXmgWpdRT1obeTSZzpm0PXt02awroN999zwu-ybVrZOvNGRCDlRubTus74nSx_7P5hi9bO2owf4yh5HF5znF4AUzVREmLDig-pZaDMrrUSH4b3feA/s1600/P9210016+heuristic+1992+pshop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Heuristic 1992, oil on canvas and board" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh38sLGzP3rQVd3URpfbgLfbJZxFkiXmgWpdRT1obeTSZzpm0PXt02awroN999zwu-ybVrZOvNGRCDlRubTus74nSx_7P5hi9bO2owf4yh5HF5znF4AUzVREmLDig-pZaDMrrUSH4b3feA/s1600/P9210016+heuristic+1992+pshop.jpg" height="193" title="Heuristic 1992, oil on canvas and board" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Heuristic</i> 1992, oil on canvas and board</td></tr>
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I was sad to hear of the death of Roger Ackling this year. He was also a very influential tutor at Chelsea and very kindly gave me this found scrap of fabric after an in depth tutorial. It was always wonderful and very helpful to speak to him.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWGzaxbZubYwH4Reg5YAC8pdX0WNP2XHgrKnSDF_YWeQ2CHrqoCeDvYPAx9L5hhPfipcvFWvnPKMp-fZWZ8B-PJxhKMpAmcskiiI0sr1y9GSUC74G2eTCOmxILr6noP2pk6xsC04t2GM0p/s1600/P1020893+ackling+spot+fabric.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Found fabric scrap 1992 from Roger Ackling" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWGzaxbZubYwH4Reg5YAC8pdX0WNP2XHgrKnSDF_YWeQ2CHrqoCeDvYPAx9L5hhPfipcvFWvnPKMp-fZWZ8B-PJxhKMpAmcskiiI0sr1y9GSUC74G2eTCOmxILr6noP2pk6xsC04t2GM0p/s1600/P1020893+ackling+spot+fabric.jpg" height="196" title="Found fabric scrap 1992 from Roger Ackling" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Found fabric scrap 1992<br />
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My roots in abstract art are deep beginning with an abstract drawing screen print on calico from 1967.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzRBwMYjW24iR-dZIL2mNAEjUj-fbV9jrgGZEiO5-1mrZVq6-n6BTNq_ZtYOA-dUQM5EZJUfeyGwScVUdlj8b8WE8lj2GFx_yfiq1U86lyutQHlBhyphenhyphenigHhQh2mGKwwtcwj5mSx39gryvHD/s1600/P9090004+skirt+1967.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Screen printed skirt on calico, abstract print from 1967" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzRBwMYjW24iR-dZIL2mNAEjUj-fbV9jrgGZEiO5-1mrZVq6-n6BTNq_ZtYOA-dUQM5EZJUfeyGwScVUdlj8b8WE8lj2GFx_yfiq1U86lyutQHlBhyphenhyphenigHhQh2mGKwwtcwj5mSx39gryvHD/s1600/P9090004+skirt+1967.jpg" height="218" title="Screen printed skirt on calico 1967" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Abstract screen printed skirt in calico 1967</td></tr>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-17603428074282736042014-09-21T12:48:00.001-07:002014-09-21T12:48:52.485-07:00Quick drawing <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe2HnL-JJk_4oSqDPe_RcWZhIc9NbTyk6ghhM4w9JV5teKhMkImhUNrPXzeE5uVJwMPFrOxVTWrfVpMCYYW5ZcTiXVve_FG_fwrpt9BzdTEmr2J6S7Iweovv5Fo71fG6YYTzHGvdFkMb8K/s1600/P6060736+studio+tree+pshop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="red chalk pencil on sketchbook page" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe2HnL-JJk_4oSqDPe_RcWZhIc9NbTyk6ghhM4w9JV5teKhMkImhUNrPXzeE5uVJwMPFrOxVTWrfVpMCYYW5ZcTiXVve_FG_fwrpt9BzdTEmr2J6S7Iweovv5Fo71fG6YYTzHGvdFkMb8K/s1600/P6060736+studio+tree+pshop.jpg" height="320" title="Beyond Studio 5, study 1. 2014" width="280" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Beyond studio 5</i>, study 1. 2014</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9uCsYCtMkUfpYuPbmUoZ8LcLk0BdPCeexQcSe9dXcVa5GCTiRFkmT1NMEqJbhsnJ1lfjuMHvO-L3Iec4iy2zLTy7-hS2dj2U5ENOTqzXAUJ7ZKRHPDYuama31HDXyW-pli5aN1TfHoqDX/s1600/P6200752+studio+tree+pshop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="graphite pencil on sketchbook page" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9uCsYCtMkUfpYuPbmUoZ8LcLk0BdPCeexQcSe9dXcVa5GCTiRFkmT1NMEqJbhsnJ1lfjuMHvO-L3Iec4iy2zLTy7-hS2dj2U5ENOTqzXAUJ7ZKRHPDYuama31HDXyW-pli5aN1TfHoqDX/s1600/P6200752+studio+tree+pshop.jpg" height="320" title="Beyond studio 5, study 3" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Beyond studio 5</i>, study 3. 2014</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdJN69o4MzHPpajUmUeq0zMvoliX7uweHQoq4WM8M6ypGKU5vcH_c4MJoL3SJFh02k7mckqzLjNphyOc2tajTZY_hk2oFtVxaqNvmqhf9uccCW_Qm3wohIBNHUYIIRibE-L5Yc8nLmgqaB/s1600/P6060733+studio+tree+pshop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="red chalk pencil on sketchbook page" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdJN69o4MzHPpajUmUeq0zMvoliX7uweHQoq4WM8M6ypGKU5vcH_c4MJoL3SJFh02k7mckqzLjNphyOc2tajTZY_hk2oFtVxaqNvmqhf9uccCW_Qm3wohIBNHUYIIRibE-L5Yc8nLmgqaB/s1600/P6060733+studio+tree+pshop.jpg" height="320" title="Beyond studio 5, study 4. 2014" width="249" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Beyond studio 5</i>, study 4. 2014</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCzfv52g0ZtuWmmb4o0Cs3PxbaruyxKes-8CSOTimnaeFsNqdpArtvhH7LVE_ms-PjcsMhfPhD5eHoFAzh2Dk0YgSX3hfmSGEIxncsX385zETfLzh7G6I7tLS5FmiPMcGeiPqRDgWMlwzt/s1600/P6060732+studio+tree+pshop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="red chalk pencil on sketchbook page" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCzfv52g0ZtuWmmb4o0Cs3PxbaruyxKes-8CSOTimnaeFsNqdpArtvhH7LVE_ms-PjcsMhfPhD5eHoFAzh2Dk0YgSX3hfmSGEIxncsX385zETfLzh7G6I7tLS5FmiPMcGeiPqRDgWMlwzt/s1600/P6060732+studio+tree+pshop.jpg" height="320" title="Beyond studio 5, study 2. 2014" width="256" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Beyond studio 5</i>, study 2. 2014</td></tr>
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Scrubby trees hide my studio from the park, a messy patch that no one notices<br />
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I stand and draw them quickly, taking note of how my eye moves over the scene. I do not see one still image but scan through many connections, sometimes focusing on a detail, how can I follow this with my pencil?<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIHJs37i9Mo96RZxwz6wtdZ5bgFeKmOIdo4SmXKQHuXKO8wlnmDZOE-03twnNATNFHPt7zCK9-Xod4NqtAD9zpwxXORRl-4ZpR2-VQNB6bpycUD6hLXaOUdJOy6mmSoD1L9xYSpmuU2pcF/s1600/243+crop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Scrubby, pencil, charcoal, carbon on folded paper. 2014" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIHJs37i9Mo96RZxwz6wtdZ5bgFeKmOIdo4SmXKQHuXKO8wlnmDZOE-03twnNATNFHPt7zCK9-Xod4NqtAD9zpwxXORRl-4ZpR2-VQNB6bpycUD6hLXaOUdJOy6mmSoD1L9xYSpmuU2pcF/s1600/243+crop.jpg" height="640" title="Scrubby, pencil, charcoal, carbon on folded paper. 2014" width="467" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Scrubby,</i> pencil, charcoal, carbon on paper. 2014</td></tr>
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I find an old comment on CyTwombly describing his work with 'sparseness, clumsiness, awkwardness and rareness'. It is a decisive moment that gives each work meaning.<br />
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Life drawing, quick poses using ink and stick.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Mq4HczfACNPP7oCl8VikhhwW-qftnMmenTHnmbGyHaNsNjeFMYYuy4sIVkK5jiPmlXHLxPzURd3JUnH2S1kiZMOVbs4249-X5yhZXExFfeNwwm81k0eRPnSr70AUlMhP7wYQE_bzYQUe/s1600/P1020899+life+sitting.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Actor sitting 1, ink and twig drawing 2014" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Mq4HczfACNPP7oCl8VikhhwW-qftnMmenTHnmbGyHaNsNjeFMYYuy4sIVkK5jiPmlXHLxPzURd3JUnH2S1kiZMOVbs4249-X5yhZXExFfeNwwm81k0eRPnSr70AUlMhP7wYQE_bzYQUe/s1600/P1020899+life+sitting.jpg" height="320" title="Actor sitting 1, ink and twig drawing 2014" width="207" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Actor sitting 1</i>, ink and twig drawing </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPwGlyrSiS-H5fhyzKdLUDrVOPbw2HtedvFUXSE2btpKKwrzWlr5XA5obPj3qbqKI6oa60iOC72OP3kOFmboEgz3EPYWZuGxaffUh1Vp5Fsr905HcQ4EBAvTYVeGa_1qh8hx1vExqUXIRp/s1600/P1020897+crop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Actor sitting 2, ink and twig drawing 2014" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPwGlyrSiS-H5fhyzKdLUDrVOPbw2HtedvFUXSE2btpKKwrzWlr5XA5obPj3qbqKI6oa60iOC72OP3kOFmboEgz3EPYWZuGxaffUh1Vp5Fsr905HcQ4EBAvTYVeGa_1qh8hx1vExqUXIRp/s1600/P1020897+crop.jpg" height="320" title="Actor sitting 2, ink and twig drawing 2014" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Actor sitting 2</i>, ink and twig drawing </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs91kL2U96Fk8eU74or_tS5DyB3sWFq2JIBF-6R3SSqzPNlwImlB8PMN3fc93DGVHn2s7kF16RF8T6RVtl1n5GzmQCXM-gSZiPtWsy8_isrKgZV5bzrqpobVgbwx6rlwYGireenrtzq29f/s1600/P1020894+life+lounging.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Actor lounging, ink and twig drawing 2014" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs91kL2U96Fk8eU74or_tS5DyB3sWFq2JIBF-6R3SSqzPNlwImlB8PMN3fc93DGVHn2s7kF16RF8T6RVtl1n5GzmQCXM-gSZiPtWsy8_isrKgZV5bzrqpobVgbwx6rlwYGireenrtzq29f/s1600/P1020894+life+lounging.jpg" height="216" title="Actor lounging, ink and twig drawing 2014" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Actor lounging</i>, ink and twig drawing </td></tr>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-49600905918870483262014-09-21T06:02:00.001-07:002014-09-22T03:01:28.364-07:00Malevich at Tate Modern<div class="MsoNormal">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD-QLtG_AaOhE030KPqN0Y6dE8p0mf1OxS68tMVU7PF_eVmpq1CPwYGGuqhf1nF4k6Vr5rGj82Khw0KcVREV68IEr9n1qkq_dy_VCcarCFYNiO1fYtCh3BX31Izq_q2QeBWHHRlQ8r0pPg/s1600/P1020906+malevitch+hands.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD-QLtG_AaOhE030KPqN0Y6dE8p0mf1OxS68tMVU7PF_eVmpq1CPwYGGuqhf1nF4k6Vr5rGj82Khw0KcVREV68IEr9n1qkq_dy_VCcarCFYNiO1fYtCh3BX31Izq_q2QeBWHHRlQ8r0pPg/s1600/P1020906+malevitch+hands.jpg" height="238" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>On the Boulavard</i> and notes on Malevich, pencil on paper 2014</td></tr>
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At Tate Modern I stand intrigued by the red hands in Malevich’s
<i>On the Boulevard</i>, 1910. Large and
clumsy they control the loose painterly figure where traces of reworking show
through his translucent yellow suit, activating the still figure. A heavy rough
outline emphasises a connection to the surrounding park and accentuates the
solidity of his red hands again.<o:p></o:p></div>
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Filippo Marinetti’s ‘Futurist Manifesto’ on speed,
technology and the cult of the machine in 1909, begins to emerge in <i>Polishers </i>1911 with the rhythm of the
lines moving, polishing and dancing over the picture surface.<o:p></o:p></div>
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The idea of mechanics is developed in the futurist opera <i>Victory Over the Sun</i> as Malevich’s
costumes disguise the human figure turning them into machines. I am surprised
at how much their form is changed as I know these design drawings well but have
never seen the costumes made up. I watch and laugh, amused by the pendulum
action of figures crossing the stage. I notice how the lighting adds to their
disguise, it accentuates the forms, giving the figures a strong sketchy outline
that reminds me of the man on the bench <i>On
the Boulevard</i>.<o:p></o:p></div>
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Malevich’s simplified geometric stage design indicates </div>
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how
he is ready to let go of representation and his simple black square is set to
become iconic.<o:p></o:p></div>
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Suprematism – in <i>Colour
Masses in the Fourth Dimension</i> the red square influences a stillness
expressed by the black square above. It animates the surrounding white space
and allows a reading of movement and stillness.</div>
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Supremeatism 1915 hangs higher
than all others in the room. The diagonal blocks appear suspended in movement
as they rise up, emphasising the yellow above.<o:p></o:p></div>
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In Works on Paper I am fascinated with one tiny pencil sketch,
Suprematist Composition. It simply contains the universe possibly due to the
almost unconnected parts, each containing it’s own quality and depth.<o:p></o:p></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZylj_UTlea8cVu-fjmzxWbncz5lOfOk_PmJUZdnVnIOYbwvp5Rjb07-HZFYMJKs9p57PJUQtHHoDxPn1-CqDxMHd5szrRqTypMRvUvoxA340I-OvXxrfbIAV_H_TlvXvSn9HgUg_rcGZg/s1600/P1020904+malevitch+eye.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZylj_UTlea8cVu-fjmzxWbncz5lOfOk_PmJUZdnVnIOYbwvp5Rjb07-HZFYMJKs9p57PJUQtHHoDxPn1-CqDxMHd5szrRqTypMRvUvoxA340I-OvXxrfbIAV_H_TlvXvSn9HgUg_rcGZg/s1600/P1020904+malevitch+eye.jpg" height="320" width="275" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Malevich </i>pencil on paper 2014</td></tr>
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I see Malevich’s intense interrogation in Self-Portrait,
1933. His right eye dominant, as he now explores the viewer.<o:p></o:p></div>
jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-56264348484425828762013-11-07T12:20:00.000-08:002013-11-07T12:23:41.206-08:00 Discerning Eye annual drawing bursary<div class="separator" style="clear: both; text-align: left;">
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<span style="font-family: Verdana, sans-serif;">Territorial SH7154 has been selected for the short list of the David Gluck Memorial Bursary</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_EbunFuIYd_kTcheOFHF0ca4BQzDsvPHnAXyejTgK8GpR173CWFJKsqtACNr2EMjGqJnRGPqflmCnOl-t12DjEFqIk0-hezt5dglVEz-40xqE9IcUfh2ZO16ENT8nj8qB8kIZBBvXCvy6/s1600/ravens+P9040553.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Territorial SH7 154 - Charcoal on paper" border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_EbunFuIYd_kTcheOFHF0ca4BQzDsvPHnAXyejTgK8GpR173CWFJKsqtACNr2EMjGqJnRGPqflmCnOl-t12DjEFqIk0-hezt5dglVEz-40xqE9IcUfh2ZO16ENT8nj8qB8kIZBBvXCvy6/s320/ravens+P9040553.jpg" title="Territorial SH7 154 - Charcoal on paper" width="267" /></a></div>
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<span style="font-family: Verdana; font-size: x-small;"><em>Territorial SH7154</em></span> </div>
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<span style="font-family: Verdana, sans-serif;"><br />I made this drawing from the memory of a specific moment high up on Moel Siabod.</span><br />
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<span style="font-family: Verdana, sans-serif; font-size: x-small;"><em>We hear a raven call close by, one is just appearing over the mountain above us, another joins it and they start to circle, are they attracted by the home made black fluffy cover of the Zoom mic I hold up high? Another arrives calling for its mate, the sound amplifies and their circling becomes more threatening. Number three is holding off waiting for its mate who suddenly appears from over the ridge behind us, just as number three comes in for the attack, I hear the rush of air through their huge wings, claws grab, feathers fly as they tumble and twist again and again directly in front of us. Amazing as it is I want them to stop. At last there is a victor and the pairs fly slowly off in opposite directions.</em></span></div>
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<span style="font-family: Verdana, sans-serif; font-size: x-small;"><em>I breathe</em></span></div>
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( see page - The Sound and Sites of Drawing and Walking Unit 3 CP Paper)</div>
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<span style="font-family: Verdana, sans-serif;">I am investigating how to process the everyday experience of observation and visual qualities of my surroundings. What elements might remain in memory, connecting and evoking recognition? Sound, fear, movement, terrain... <br /><br />Through close observation I hope to visually understand the differences between things and investigate how these differences become a constituent of a drawing.<br /><br />Thinking through drawing, I focus on an unknown particularity, on how each individual encounter might continue to impact on memory. I make quick loose drawings responding to space, volume, mass and sensation The act of drawing takes me elsewhere, to a another place.</span><br />
<span style="font-family: Verdana, sans-serif;"><a href="http://www.discerningeye.org/bursaries/intro/intro.php"><span style="font-family: Times New Roman;">http://www.discerningeye.org/bursaries/intro/intro.php</span></a><br /> </span></div>
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<span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="font-family: "Verdana","sans-serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="font-size: small;"><span style="color: black;"><o:p></o:p></span></span></span> </span></div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-43354663559681540052013-09-04T11:50:00.002-07:002013-09-04T14:47:45.718-07:00Setting up the MA Show<span style="font-family: Verdana, sans-serif;"><strong>Private View Thursday 6pm 5.9.13 at Wimbledon College of Art</strong></span><br />
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<span style="font-family: Verdana, sans-serif;"><em><strong>Snowdonia long drawing </strong></em>2013<br /><br />Four day walk drawing - graphite, charcoal, red and grey chalk, carbon pencil on concertina paper</span><br />
<span style="font-family: Verdana, sans-serif;">Angle iron table 500 x 27cm and locally sourced wooden top</span><a href="http://www.norburyparksawmill.org.uk/viewHistory?select=Sawmill"><span style="font-family: Verdana, sans-serif;">http://www.norburyparksawmill.org.uk/viewHistory?select=Sawmill</span></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLUqMq8JHt_Ey91DY1MyHvhRTZ1q13NBKP4NcNEkJYq57p8C0KTSXyjv_ML5zUfwWwqZ_CwNCKOKf31Jd_WE5A7T1Rax9HLoOSDMTZ1izbwwkn6Xi3KFDPusyIiY0cpn3e5zxWX7hSuwtv/s1600/P9040546.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLUqMq8JHt_Ey91DY1MyHvhRTZ1q13NBKP4NcNEkJYq57p8C0KTSXyjv_ML5zUfwWwqZ_CwNCKOKf31Jd_WE5A7T1Rax9HLoOSDMTZ1izbwwkn6Xi3KFDPusyIiY0cpn3e5zxWX7hSuwtv/s320/P9040546.JPG" width="320" /></a></div>
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<span style="font-family: Verdana, sans-serif;"><em><strong><span style="font-family: Verdana, sans-serif;">Snowdonia sound drawing</span></strong></em> 2013</span></div>
<span style="font-family: Verdana;">Thinking and testing out many possibilities of how to present the five speakers in the MA Show. Investigated ridiculously expensive sound domes, considered fashioning some from a mini speaker and bowl, placing speakers on shelves and many other ideas including welding them on top of metal poles but finally realised a humble domestic fire log best fitted the intellectual idea of the exhibition: <br /> they are appropriate, easily replaceable and links to an unmonumental art philosophy and relevant cultural history.</span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbwWvlpeJW2ueRJSmdv3XVy12Fmc3qMyqPIDmpYKDDD0kj7CNepL2yb0H1sql6UzxO6xON8x3wHATkdngKQaFD5CtKsnnTHw0dcCC70n7ej_Fs9tJPnKvoExz89lJn4IZL0opgb0NQouqh/s1600/P9040550.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbwWvlpeJW2ueRJSmdv3XVy12Fmc3qMyqPIDmpYKDDD0kj7CNepL2yb0H1sql6UzxO6xON8x3wHATkdngKQaFD5CtKsnnTHw0dcCC70n7ej_Fs9tJPnKvoExz89lJn4IZL0opgb0NQouqh/s400/P9040550.JPG" width="400" /></a></span></div>
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<br /><br />Sounds are created as I navigate the changing terrain, walking in Snowdonia for four days, my motion is sound and the moments of moving to another place between drawings.<br /><br />Speakers inform the installation using current technology 5.1 surround sound.<br /><br />5 firewood logs<br /><br /> Wood is environmentally sourced from a local farm</span><br />
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<a href="http://www.sondesplacefarm.com/wood_and_logs.html"><span style="font-family: Verdana, sans-serif;">http://www.sondesplacefarm.com/wood_and_logs.html</span></a></div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-89167245185066903502013-08-26T16:51:00.002-07:002013-08-27T02:11:13.675-07:00Drawing from my feet<span style="font-family: Verdana, sans-serif;">Art is about recognition, the identification through a continuous act of comparison in what we see, hear, touch. A chance combination can </span><span style="font-family: Verdana, sans-serif;">have surprising results and </span><span style="font-family: Verdana, sans-serif;">create something new.</span><br />
<span style="font-family: Verdana, sans-serif;">Crossing the fine grained sands of a particular Welsh beach, I noticed how the motion of walking is generating an unusual sound. I am wearing thick soled boots, the movement of the fine sand is causing a clear whistle via the two independent substances and activity.</span><br />
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<span style="font-family: Verdana, sans-serif;">Many years ago I read:</span><br />
<span style="font-family: Verdana, sans-serif;"> Joseph Beuys thinks from his knees, his relationship to art was inseparable from his body which he represented through many differing substances, animal and mineral.</span><br />
<i><span style="font-family: Verdana, sans-serif;"><br /></span></i>
<span style="font-family: Verdana, sans-serif;">In<i> How to explain paintings to a dead hare</i> 1965, Beuys connected </span><span style="font-family: Verdana, sans-serif;">a child</span><span style="font-family: Verdana, sans-serif;">hood </span><span style="font-family: Verdana, sans-serif;">attraction; the presence of something that nobody noticed,</span><span style="font-family: Verdana, sans-serif;"> together with an intuition of his own history and time. (</span><span style="font-family: Verdana, sans-serif; font-size: x-small;">Art Forum Summer 1991 p.85)</span><br />
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<span style="font-family: Verdana, sans-serif; font-size: x-small;"><i style="text-align: start;">How to explain paintings to a dead hare</i><span style="text-align: start;"> 1965</span></span></div>
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<span style="font-family: Verdana, sans-serif; font-size: x-small;"><span style="text-align: start;">(image found in Gardeners Art History Review) </span></span></div>
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<span style="font-family: Verdana, sans-serif;">A moment of pure happenstance</span></div>
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<span style="font-family: Verdana, sans-serif;">It was exactly this same year my family</span><span style="font-family: Verdana, sans-serif;"> rescued and nurtured an orphaned hare after seeing his mother killed. Beuys' art is influenced by being rescued and bought back to life by nomadic tribesmen.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8zli3WaJgG_CTPOZOtVy80o5Hi-_uXkIgBu69-3JYyI3cgljU7D3XiRFUSAKpmXDYOAnJt35Go_7wKjVDCXmn7qr6DNOj6riOIWFW7N5wlSex-EUO4jgAtBhL9RNhosFxil0ce0dttJfI/s1600/dadhare19650002.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Verdana, sans-serif;"><img alt="Dad and me and Sammy the rescued hare" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8zli3WaJgG_CTPOZOtVy80o5Hi-_uXkIgBu69-3JYyI3cgljU7D3XiRFUSAKpmXDYOAnJt35Go_7wKjVDCXmn7qr6DNOj6riOIWFW7N5wlSex-EUO4jgAtBhL9RNhosFxil0ce0dttJfI/s200/dadhare19650002.tif" height="197" title="Dad and me and Sammy the rescued hare" width="200" /></span></a></div>
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<span style="font-size: x-small;"><span style="font-family: Verdana, sans-serif;">Dad and me and Sammy the rescued hare 1965</span></span></div>
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<span style="font-family: Verdana, sans-serif;">I walk, I look and occasionally find something unnoticed.</span></div>
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<span style="font-family: Verdana, sans-serif;">I work from my feet, connecting sounds, motion, terrain. I think through drawing as I focus on an unknown particularity. The act of drawing takes me elsewhere, each individual encounter continues to impact on memory.</span></div>
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<span style="font-family: Verdana, sans-serif;"> ‘When you give yourself to places, they give you yourself back’.</span></div>
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<span style="font-family: Verdana, sans-serif;"> Rebecca Solnit in </span><span style="font-family: Verdana, sans-serif;">Wanderlust. </span><span style="font-family: Verdana, sans-serif;"><span style="font-size: x-small;">2002. London, Verso- p.13</span> </span></div>
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<span style="font-family: Verdana, sans-serif;">A continually changing viewpoint cannot be understood by standing still.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil-ijJQAF80TwlrymcwzVtjlJIO7GnlGBf91u0cQgWFRGVL4btQcR5BBGzY5BsOnXMu4D0_tdBchX6B1kqyYxiLXNHvOavQ_zdjSxfjQcA-GVfQ8xuL2QXY0T0WT4DxuKQBBAn_1okqRgM/s1600/adjusted+P1020427.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Snowdonia long drawing 14 Graphite, charcoal, chalk, carbon pencil Jill Evans 2013" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil-ijJQAF80TwlrymcwzVtjlJIO7GnlGBf91u0cQgWFRGVL4btQcR5BBGzY5BsOnXMu4D0_tdBchX6B1kqyYxiLXNHvOavQ_zdjSxfjQcA-GVfQ8xuL2QXY0T0WT4DxuKQBBAn_1okqRgM/s400/adjusted+P1020427.jpg" height="268" title="Snowdonia long drawing 14 Graphite, charcoal, chalk, carbon pencil Jill Evans 2013" width="400" /></a></div>
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<span style="font-family: Verdana, sans-serif;"><span style="font-size: x-small;"><em>Snowdonia long drawing 14</em> Graphite, charcoal, chalk, carbon pencil Jill Evans 2013</span></span></div>
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<span style="font-family: Verdana, sans-serif;">I move a viewer beyond the role of </span><span style="font-family: Verdana, sans-serif;">motionless observer</span><span style="font-family: Verdana, sans-serif;"> in </span></div>
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<span style="font-family: Verdana, sans-serif;"><i>Snowdonia long drawing,</i> continuing the process of its making and </span><span style="font-family: Verdana, sans-serif;">exploring the role of drawing as a residual object; </span><span style="font-family: Verdana, sans-serif;">it is necessary for a viewer to walk to view.</span></div>
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<span style="font-family: Verdana, sans-serif;">Here its form is dictated by the process of making</span><span style="font-family: Verdana, sans-serif;"> but its reality is elsewhere in the mind of the observer.</span></div>
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<span style="font-family: Verdana, sans-serif;">Each viewer has absorbed and carries with them the multitude of differences of place or situation and frequently </span><span style="font-family: Verdana, sans-serif;">encounters</span><span style="font-family: Verdana, sans-serif;"> these through unconscious reflection, they <span style="background-color: white; color: #444444; font-size: 16px; line-height: 23.32px;">reveal a link to specific place.</span></span></div>
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<span style="font-family: Verdana, sans-serif;">In <i>Snowdonia long drawing </i>the constructed<i> </i>table reflects back into history, culture and place, through the </span><span style="font-family: Verdana, sans-serif;">materials used and </span><span style="font-family: Verdana, sans-serif;">its presence</span><span style="font-family: Verdana, sans-serif;">.</span></div>
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<span style="font-family: Verdana, sans-serif;">Like a good story endlessly retold, changing and gradually developing, I expect this blog and my drawing to continue on beyond the MA</span><span style="font-family: Verdana, sans-serif;">.</span></div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-39449787993193175912013-08-26T15:29:00.000-07:002013-08-27T02:10:07.088-07:00Sound Drawing<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">Sounds carry memories, sound evokes images, sound transports thought to another place.</span></div>
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<span style="font-family: "Verdana","sans-serif";">Sound reflects activity, volume, terrain but has no image, no reality of its own.</span><br />
<span style="font-family: "Verdana","sans-serif";">Sound has presence but remains abstract.</span><br />
<span style="font-family: Verdana;">Sound contains space.</span><br />
<span style="font-family: Verdana;">Sound completely belongs to the listener alone. It exists nowhere else.</span></div>
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<span style="font-family: "Verdana","sans-serif";">Susan
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<span style="font-family: "Verdana","sans-serif";">‘ Sound heightens your awareness of the space you are in’. 2010</span></div>
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relates volume, activity and movement, it contains<span style="color: black;"> landscape experiences that colour the unknown. We understand through connecting internal </span></span><span style="font-family: Verdana, sans-serif;">topographies of place, sound, image and knowledge. We navigate this terrain, adding and developing endlessly, our cognition </span><span style="font-family: Verdana, sans-serif;">is motion sensitive and site specific.</span><br />
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<b><span style="font-family: Verdana, sans-serif; font-style: italic;">Snowdonia sound drawing</span></b><span style="color: red; font-family: Verdana, sans-serif;"><i> -</i><span style="font-size: x-small;"> </span></span><span style="font-family: Verdana, sans-serif;"><span style="font-size: x-small;">Jill Evans 2013</span></span><br />
<span style="font-family: Verdana, sans-serif;">I record the actual walking experience of place to construct a sound image of terrain and motion.</span></div>
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<span style="font-family: Verdana, sans-serif;">The five active speakers allow a viewer/listener to choose their own pathway through <em>Snowdonia sound drawing</em> in their personal real time of listening. The viewer/listener passes through and creates an alternative composition to complete the drawing. </span></div>
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<strong><span style="font-family: Verdana, sans-serif;">Visual sound drawing</span> </strong></div>
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<span style="font-family: Verdana;">This image is a sound wave formed by the sound activity of making <em>Drawing 3</em> in real time sitting beside Ffynnon Llugwy reservoir.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisU1oCbnpEnL8oXM0FIIkmZBTsKGNQxU4dNHMvqjfl9F-vo_l2Bnt1iZ0Z7nRRMFP19f8ubbEMbkaAROIhm3yIKJRHXk5DiBSbhJX_JduTVSWqlYHzl6Ue-Lp_mj7WIeZ8Sy689jVfqw-F/s1600/drawing+3+19650005.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt=" Drawing 3 from Snowdonia long drawing Jill Evans 2013" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisU1oCbnpEnL8oXM0FIIkmZBTsKGNQxU4dNHMvqjfl9F-vo_l2Bnt1iZ0Z7nRRMFP19f8ubbEMbkaAROIhm3yIKJRHXk5DiBSbhJX_JduTVSWqlYHzl6Ue-Lp_mj7WIeZ8Sy689jVfqw-F/s320/drawing+3+19650005.tif" height="221" title=" Drawing 3 from Snowdonia long drawing Jill Evans 2013" width="320" /></a></div>
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<span style="font-size: x-small;"><span style="font-family: Verdana, sans-serif;"> </span><i style="font-family: Verdana; text-align: left;">Drawing 3 from Snowdonia long drawing </i><span style="font-family: Verdana; text-align: left;">Jill Evans 2013</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPsjI4V6JMlk4BzFTo0AU6OJxnXGVhZJPTBIlu1MSMyfRUs6F_fj5Lu-JdZfexKV_JgNFQ-CVDVq5eQtKQkHn7ZpRfFrw7qqzHzYLigS7f3I6GJFpwhMGk058aTuwRYo3vcfYCnXfdK7X8/s1600/drip+fold.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Folded Landscape ink on paper Jill Evans 2013" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPsjI4V6JMlk4BzFTo0AU6OJxnXGVhZJPTBIlu1MSMyfRUs6F_fj5Lu-JdZfexKV_JgNFQ-CVDVq5eQtKQkHn7ZpRfFrw7qqzHzYLigS7f3I6GJFpwhMGk058aTuwRYo3vcfYCnXfdK7X8/s320/drip+fold.jpg" height="320" title="Folded Landscape ink on paper Jill Evans 2013" width="282" /></a></div>
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<span style="font-family: Verdana, sans-serif; font-size: x-small;"><i>Folded landscape 1</i> ink on paper Jill Evans 2013</span></div>
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<span style="font-family: Verdana;">Drip drip drip, each drop combines to form a chance landscape.</span></div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-28586654800428049932013-08-10T11:33:00.003-07:002013-08-26T15:30:58.637-07:00Snowdonia Long Drawing construction<span style="font-family: Verdana, sans-serif;"></span><br />
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<span style="font-family: Verdana, sans-serif;"><strong>Materials for Snowdonia long drawing</strong></span></div>
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<li>Three 6 metre lengths of 25 x 25ml angle iron </li>
<li>4 metres of sustainable wood </li>
<li>Four day walk drawing - pencil, charcoal, red and grey chalk, carbon pencil </li>
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<strong>Task 1.</strong> Measure, cut, file, drill, weld and construct table - H. 80cm x L. 400cm x W. 27cm</div>
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<strong>Task 2.</strong> Source sustainable wood, prepare, cut and fit<br />
After hunting through reclamation yards, ebay and wood recycling projects I remember: </div>
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<strong>Norbury Park sawmill </strong>collects wood from the site of <em>Druids Grove</em> (detail below) and <em>Along across, around and about the River Mole </em>long drawing. </div>
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<tr><td style="text-align: center;"><em><img alt="detail TQ 15807 53205 2013" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglCHfUuyrcM6tExKbfDH3ThRq1aqxpkATm7cq9u8q3gR0q7QjoKFLZOkqFEbwAAhHMFjVFAGgWm2FJgr4a8N1-723AHyqqMLzTeZOOfxBsJijrjot35BytWhHAs6MdMDobSh7o47qyuQP-/s640/druids+grove+detail+P3010154.jpg" style="margin-left: auto; margin-right: auto;" title="detail TQ 15807 53205 2013" width="400" /></em></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em>detail <span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: Verdana, sans-serif;"><span style="color: black; font-family: "Tahoma","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">TQ 15807 53205 2013</span></span></span></span></span></span></span></span></em></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPlpZqyl5pGupHIAE1lpD1aOAj8Lar9MZiE9Uwzzo3Mb64bKF_cJzBB1jX_TTEoft4EmOZ-EKJNO-8UCXIZYy-FXJQ28qCWzK9We0GMfe8nF2VgdXZIOyZUU927XRokDYwB4H8GsKh8A0g/s1600/P1020324+tree+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="Ancient Yew 2013" border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPlpZqyl5pGupHIAE1lpD1aOAj8Lar9MZiE9Uwzzo3Mb64bKF_cJzBB1jX_TTEoft4EmOZ-EKJNO-8UCXIZYy-FXJQ28qCWzK9We0GMfe8nF2VgdXZIOyZUU927XRokDYwB4H8GsKh8A0g/s400/P1020324+tree+blog.jpg" title="Ancient Yew 2013" width="400" /></a></td></tr>
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This local sawmill uses oak, pine and other soft woods from the area of these walks and Surrey Wildlife Trust's own sites. In many cases these are heathlands where Scots pine is being removed for the revival of threatened wildlife, perfect.<br />
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-77891389703809773022013-08-10T03:50:00.000-07:002013-08-24T15:25:42.959-07:00The sound and sites of drawing and walking<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxvOF6kAZWUdJL89H_nTUBs3qTSvXRU1ZYX_AhHQmwrmLOFlOdLxsheatx_fpqDYbbNp0Z49EcBEjnghNJ_T1CfDGlam-baR3x4if5e7W3-VxnG7EJkSZcUvCbPfpXrimFa12Bpo2FsbJK/s1600/Unit-3-cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="The sound and sites of walking and drawing, cover image - Distant England" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxvOF6kAZWUdJL89H_nTUBs3qTSvXRU1ZYX_AhHQmwrmLOFlOdLxsheatx_fpqDYbbNp0Z49EcBEjnghNJ_T1CfDGlam-baR3x4if5e7W3-VxnG7EJkSZcUvCbPfpXrimFa12Bpo2FsbJK/s640/Unit-3-cover.jpg" title="The sound and sites of walking and drawing, cover image - Distant England" width="451" /></a></div>
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<em><span style="font-family: Verdana, sans-serif; font-size: x-small;">Distant England, cover image</span></em></div>
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<span style="font-family: Verdana, sans-serif;"><strong>Introduction</strong></span><br />
<span style="font-family: Verdana, sans-serif;"><strong></strong><br />In the following words I shall tell the story of walking in Snowdonia over a four day stay in Capel Curig. I set off with clear intentions to experience walking in this remote landscape with the possibility of a diversion into somewhere unknown or a chance occurrence. As I move through this terrain I will look, listen, notice, respond, connect and explore the impact of walking, drawing and memory. I will examine how drawing might enquire and communicate the little differences I find that could reveal a link to specific place.<br /><br />As I travel along this path I will be discussing my reasoning and purpose in more detail through a gradual expansion into a wider culture, returning with knowledge of elsewhere.<br /><br />Soren Kierkegaard goes for a wander at the optimum pedestrian pace of three miles per hour he considers this to be the speed the mind functions well at.<br /><br />But unlike Kierkegaard being ‘so overwhelmed with ideas he could scarcely walk’ <br /> I hope to bring this story back to the individual reader. </span><br />
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<span style="font-family: Verdana, sans-serif;">To continue reading see pages - The sound and sites of walking and drawing</span><br />
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-20323957580543776232013-06-19T15:19:00.000-07:002013-07-03T01:14:07.821-07:00Walk On, passing through an exhibition<div class="MsoNormal">
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<b><span style="font-family: Verdana, sans-serif;"><span style="background: white; color: #333333; font-family: "Verdana","sans-serif"; mso-bidi-font-family: Arial;">Exhibition - </span><span style="background-color: white; color: #333333;">Walk On</span></span><span style="background-color: white; color: #333333; font-family: Verdana, sans-serif;">: 40 years of Art Walking, Pitzhanger Manor House</span></b><br />
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<span style="background-color: white; color: #333333; font-family: Verdana, sans-serif;">The Walk Book and CD, </span><span style="font-family: Verdana, sans-serif;">Janet Cardiff, </span><span style="background-color: white; color: #333333; font-family: Verdana, sans-serif;">2005. Walks in
Paris, London, and New York.</span></div>
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<span style="font-family: "Verdana","sans-serif";">I am sitting
on a park bench in Ealing and switch on</span><span style="font-family: Verdana, sans-serif;"> </span><span style="background: white; color: #333333; font-family: "Verdana","sans-serif"; mso-bidi-font-family: Arial;"><span style="font-family: Verdana, sans-serif;">Janet Cardiff’s</span> </span><span style="font-family: "Verdana","sans-serif";">narrative. Instantly I am connected to
her reality, she is sitting on a park bench, in the very different urban
environment of Central Park, New York. She describes children on bikes passing
by and exactly at the same moment children cycle past me, here in London. I listen to more descriptions but wander off in
my mind as a cat has just approached and a group of people gather round to stroke it. A choir is
practising: she explains’ I am very bad at linear working; I use an open ended
narrative, skipping from one thing to another’. I listen to more fragments as she
passes through the streets of New York and begins to distinguish memory from perception. ‘In pure memory the
temporal sequence of events is shattered’. I agree with that but start to lose interest. No longer able to connect to her continuing observations, I realise that listening to this narrative is displacing me from
being here, now. Police sirens pass in the distance, was it here, or there in Central Park? </span></div>
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<span style="font-family: "Verdana","sans-serif";">Janet Cardiff would like to ‘move a whole room like a time machine from London
to New York’. I think she just moved a park.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhps8VUcMmQ3IVPEa1n2-7ve3eUQXlNKPkG-gOZmeYycsrZgToLreLwR7ml0qlwaRmE7OKS0EIOHFGQpEWNi5oGKUQl9rvTZs-nmf6TXV0TVJ44HSZ20m6mLEZ7ZwZbR66vCG1YTjBc-zTC/s1600/simon+Pope.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Simon Pope, A Common Third" border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhps8VUcMmQ3IVPEa1n2-7ve3eUQXlNKPkG-gOZmeYycsrZgToLreLwR7ml0qlwaRmE7OKS0EIOHFGQpEWNi5oGKUQl9rvTZs-nmf6TXV0TVJ44HSZ20m6mLEZ7ZwZbR66vCG1YTjBc-zTC/s320/simon+Pope.jpg" title="Simon Pope, A Common Third" width="320" /></a></div>
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<span style="background-color: white; color: #666666; font-size: 12px; line-height: 14px; text-align: start;"><span style="font-family: Verdana, sans-serif;">Simon Pope, A Common Third</span></span></div>
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<span style="font-family: "Verdana","sans-serif";">We meet walking artist Simon Pope, we cross the park and</span><span style="font-family: Verdana, sans-serif;"> chat without really noticing what's around. He escorted us out of the park as his contribution in 'Walk On'. We re-enter and admire the blossom and trees on the way back. We sit at the kiosk, eat ice cream and </span><span style="font-family: Verdana, sans-serif;">people watch.</span></div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-15175091711452535332013-06-02T16:49:00.001-07:002020-09-08T10:55:22.325-07:00Walking and Drawing in Snowdonia<span style="font-family: Verdana, sans-serif;">Four days, walking and drawing on remote mountains in Snowdonia, </span><span style="font-family: Verdana, sans-serif;">focusing on
the rhythmic sound of walking and sounds of the surrounding landscape through the Zoom
mic headphones. I first notice how easily I climb the steep gradient to the
lake, listening has changed the emphasis, drawing attention away from the usual dominant
visual clues of distance. Walking in silence with a new focus on listening has created a different
atmosphere and altered my experience of the landscape. Confusingly, it has
become internalised and at the same time a vaster space. </span><span style="font-family: Verdana, sans-serif;">It is quiet,
sounds are distant, the mist occasionally lifts over the ridge and sun glints
through from behind it. I stop and draw at a rest point</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihCkcY1hnOz0RfHYLNC71teK1Sc0eKLQ_YphSMQO7Qo_WSZ3b-f6mKpBrgPtrFVngXETtrUan2vPhBs3J0CEuF4mX83FN-_bFAJhrk4EYPay1UUMHdt8oZJa5oc3kapE4ENyWWFZpviuKn/s1600/up+to+reservoir+P5210302.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Up towards lake" border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihCkcY1hnOz0RfHYLNC71teK1Sc0eKLQ_YphSMQO7Qo_WSZ3b-f6mKpBrgPtrFVngXETtrUan2vPhBs3J0CEuF4mX83FN-_bFAJhrk4EYPay1UUMHdt8oZJa5oc3kapE4ENyWWFZpviuKn/s400/up+to+reservoir+P5210302.jpg" title="Up towards lake" width="400" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Up towards lake</span></div>
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJAZ_OHOOeeFdhNZdHgeaY87QMZdchlOp7rmzv1wbx0S8WEGiNHdPjY9oGmJQIJTL14xI__iJKzi_JL_ab031L8DInBlfJKVzCioWnMK32yYiQLFD9_CgAE-zCDEo6cE60A5RIzFnBcys0/s1600/at+lake+blog+P5200290.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Shifting mists" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJAZ_OHOOeeFdhNZdHgeaY87QMZdchlOp7rmzv1wbx0S8WEGiNHdPjY9oGmJQIJTL14xI__iJKzi_JL_ab031L8DInBlfJKVzCioWnMK32yYiQLFD9_CgAE-zCDEo6cE60A5RIzFnBcys0/s400/at+lake+blog+P5200290.jpg" title="Shifting mists" width="318" /></a></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="font-family: "Verdana","sans-serif"; font-size: 11pt;">My focus shifts; switching from listening to seeing, the steep incline of
the path becomes more physical, more demanding. By focusing on the rhythm of
walking I hadn't noticed how quickly I gained height, the remote mountain ridge
now dominates. I try to respond with quick drawings of the ever changing mists that
cover and uncover the varied contours ahead. I recognise Turner’s problems and
how he used the advantages of a misty effect to accentuate distance in his
work, confusing altering and denying form he develops his idea with and in the
mist. His structures do not merely describe what is underneath it.</span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="font-family: "Verdana","sans-serif"; font-size: 8pt;">Walter Thombury, The
Life and Correspondence of JMW Turner<o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif; font-size: small;">Drawn from the National Gallery- pencil on small sketch book Jill Evans</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVvqWyGQLxZcrbhtTc5SMz-n70dfOsUyaLrhCHlE7zKreOa7OqKT-QGIal4JE8K1WuuN_M95yQ449Vp70-Drtq-l4Gu7F7zvMVkJkzWJMcxLVjsSXv1Ee1uDs20vYjNaTNX_JfhJzLPRX8/s1600/turner+the+moon+behind+clouds.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="J.M.W. Turner's The Moon Behind Clouds 1825" border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVvqWyGQLxZcrbhtTc5SMz-n70dfOsUyaLrhCHlE7zKreOa7OqKT-QGIal4JE8K1WuuN_M95yQ449Vp70-Drtq-l4Gu7F7zvMVkJkzWJMcxLVjsSXv1Ee1uDs20vYjNaTNX_JfhJzLPRX8/s400/turner+the+moon+behind+clouds.jpg" title="J.M.W. Turner's The Moon Behind Clouds 1825" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLJFMC_Iwh6nzcMnbNiHao89Xw6xGQ4glU7lrzRlFN2HJb9JOPK2C5rpRcLtQvtKPbzPk3qQwu91P03-s48CVBBzMHqSvgNhKOuSeMCloxE8sTeNvfVF7dMbSiSbdXlHFptFwBP4iH1u-1/s1600/turner+the+moon+behind+clouds+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="J.M.W. Turner's Moonlight with Shipping 1830" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLJFMC_Iwh6nzcMnbNiHao89Xw6xGQ4glU7lrzRlFN2HJb9JOPK2C5rpRcLtQvtKPbzPk3qQwu91P03-s48CVBBzMHqSvgNhKOuSeMCloxE8sTeNvfVF7dMbSiSbdXlHFptFwBP4iH1u-1/s400/turner+the+moon+behind+clouds+2.jpg" title="J.M.W. Turner's Moonlight with Shipping 1830" width="281" /></a></div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-78503290518970262902013-05-18T14:41:00.001-07:002013-07-03T01:36:54.144-07:00Drawn on Site exhibition<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Verdana, sans-serif;"><b>Skirting it</b></span></div>
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<span style="font-family: Verdana, sans-serif;">Skirting it</span><span lang="EN" style="font-family: Verdana, sans-serif;">, inside the shop, following around the joint between
floor and wall until it becomes a drawn line that outlines the edge of this space.
Draw and move on, draw again, changing position changes viewpoint, passing an object
alters its position, the room moves around me. I apply rules to the drawing - draw
everything below this line, mapping all shapes that interrupt it. Objects that
intersect this outline now become part of the floor plan. The rules are difficult
to follow, I must switch thinking, cutting out the brains overriding
recognition factor of pre learnt understanding. Objects and floor resettle, transferring
onto a single visual plane. The necessary analysis, makes an interesting drawing
exercise on pure observation, helping to understand this visual switch. Changing
the rules, as you now control the way your brain sees and makes connections.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8CclWgkYHfgnprVAW6FeKA3-UPcKcOEA-dWujmhyphenhyphenKjJ-tZIknoo1-S8CRsONXDzaMTiHY8MOiInGlc-_IT2FVqlxyrljSNnVNVMu4O4BBXTbE3hyphenhyphen_8EchnmUgT1g1-6nfyRzFSpS3jP96/s1600/shop+exhib+P1020375.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Draped drawing - time is connected to distance." border="0" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8CclWgkYHfgnprVAW6FeKA3-UPcKcOEA-dWujmhyphenhyphenKjJ-tZIknoo1-S8CRsONXDzaMTiHY8MOiInGlc-_IT2FVqlxyrljSNnVNVMu4O4BBXTbE3hyphenhyphen_8EchnmUgT1g1-6nfyRzFSpS3jP96/s400/shop+exhib+P1020375.jpg" title="Draped drawing - time is connected to distance." width="400" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Draped drawing - time is connected to distance.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5bqjD7plJn8oLXnmjTQWSuH8QN4O1p6jLtHDb3e51C7osGy5dkCd5S9XqfITwHw52Zo2mUtRC7a8be3nCUnkDAGVArX4QkS8jBMa4y_qYMUIMj1wzUGFkLGI01Ig4eHHwhC5A8flq5svD/s1600/shop+exhib+P1020373.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ceiling Pipe - charcoal on paper" border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5bqjD7plJn8oLXnmjTQWSuH8QN4O1p6jLtHDb3e51C7osGy5dkCd5S9XqfITwHw52Zo2mUtRC7a8be3nCUnkDAGVArX4QkS8jBMa4y_qYMUIMj1wzUGFkLGI01Ig4eHHwhC5A8flq5svD/s400/shop+exhib+P1020373.jpg" title="Ceiling Pipe - charcoal on paper" width="400" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Ceiling pipe</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0fia_HkJurKEeGyUF9tw_vyTDoUd38Ffkp-1rw9_nt_0cReOObecpw-jlGujipj_k8nfF0CPAWGQW8LaUFWx6LTerK2SyzL5aoGSxkZH3U3WTJ6BwBmTtCuKQQ9G3hyphenhyphen1MgFMSZGa1SqP9/s1600/shop+exhib+P1020374.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Verdana, sans-serif;"><img alt="Alison Carlier's impressed lines on paper" border="0" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0fia_HkJurKEeGyUF9tw_vyTDoUd38Ffkp-1rw9_nt_0cReOObecpw-jlGujipj_k8nfF0CPAWGQW8LaUFWx6LTerK2SyzL5aoGSxkZH3U3WTJ6BwBmTtCuKQQ9G3hyphenhyphen1MgFMSZGa1SqP9/s400/shop+exhib+P1020374.jpg" title="Alison Carlier's impressed lines on paper" width="400" /></span></a></div>
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<span style="font-family: Verdana, sans-serif;">Alison Carlier's impressed lines on paper</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6_xDjRs4iPqPpLnTAvX9QhemiupGzWfUlkUti1bxNUFMRP_vB9ZX2Ta-vd_AfXXi38ATylibz7qRQBa36d1lFD_KYMiS7DK_RS2hZXgyG581V2d1nxcfuekzMTYvieivY1dBbYt7paLun/s1600/_MG_3233+Adj+copy+skirting+it.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Skirting it, five corners - graphite and red chalk on paper" border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6_xDjRs4iPqPpLnTAvX9QhemiupGzWfUlkUti1bxNUFMRP_vB9ZX2Ta-vd_AfXXi38ATylibz7qRQBa36d1lFD_KYMiS7DK_RS2hZXgyG581V2d1nxcfuekzMTYvieivY1dBbYt7paLun/s400/_MG_3233+Adj+copy+skirting+it.jpg" title="Skirting it, five corners - graphite and red chalk on paper" width="400" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Skirting it, five corners</span></div>
jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-19646964129462380262013-05-15T14:42:00.000-07:002013-08-21T15:28:31.812-07:00Passing By<span style="color: #333333; font-family: Verdana, sans-serif; line-height: 19.57px;"><strong>Drawn on Site</strong></span><br />
<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; line-height: 19.57px;"></span></span><br />
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<span style="font-family: Verdana, sans-serif;">I have been given the opportunity to take over an empty shop
for a one week drawing residency. Invited by Transition Dorking, a voluntary,
environmental group I will be drawing on site in the shop throughout the week
with Alison, another MA Drawing student. We have decided to make work directly
in response to our surroundings, passers-by will be able to pop in and see how
the work progresses, hopefully it will.<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Day 1. <o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Wondering how to make drawings, surrounded by these bizarre
silver striped interior walls and feeling awkward drawing alone in here with my
back to the open door. Eventually I made a word piece called Passing By.</span><br />
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<span style="font-family: "Verdana","sans-serif"; line-height: 115%;"><span style="font-family: Verdana, sans-serif;"><strong>Passing by</strong></span></span></div>
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<span style="font-family: "Verdana","sans-serif"; line-height: 115%;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Trolley and two green carriers</span></span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">White bag tucked under his arm</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Tweed and a book</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Blue waterproof and orange carrier</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">White stripes and blue backpack</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Striding and swinging shopping</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Red top and black briefcase</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">No-one</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Blue raffia and rolled mat</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Grey hair and green mac</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Two up, two down</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">All black with checked scarf</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Blue and blue stripes</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Green bag, brown bag</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Two matching apple green macs</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Long mac and white carrier</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Small boy swinging shopping</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Two in black with one bright green carrier</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Chatting ladies and shopping trollies</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Three carriers and a grey jacket</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Clattering shoes, swinging a bag</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Pushing mobility <span style="font-family: Verdana, sans-serif;">trolley, slowly</span></span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Quickly, two large boxes on his shoulder</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Return of red top with two new bags</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Black coat and large white paper carrier</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Two together, red cotton bag between</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">All in black with papers and huge black bag</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Turquoise legs</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Pink legs</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Two brown coats and two sticks</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Speedy, spotty trolley</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Traffic sounds</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Two pass quickly, big strides</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Plastic covered pushchair, purple coat pushing</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Four up, one down</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">All brown, hood up</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">White ear phones, white bag</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Balanced orange carriers, striding</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Small in pink passing zebra umbrella</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Slow walk, swinging wide cotton bag</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Three under one large black umbrella</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Red top, grey shorts… postman</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Two, woolly hoods up</span><br />
<span style="font-family: Verdana, sans-serif; font-size: x-small; line-height: 115%;">Four down, mostly in green</span></div>
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Thursday's drawings</span><span style="color: #333333; font-family: Verdana, Georgia, 'Times New Roman', Times, serif; line-height: 19.57px;"></span><br />
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<span style="color: #333333; font-family: Verdana, Georgia, 'Times New Roman', Times, serif; line-height: 19.57px;">Friday, We are both surprised and excited in the direction the drawing has taken, just curated the show for tomorrow. </span></div>
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jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-74855894187474529762013-05-13T04:02:00.003-07:002013-07-03T01:49:51.471-07:00Chronology of Walking<br />
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<span style="font-family: "Verdana","sans-serif"; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">See new walking chronology on 'Pages'</span> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXXpUwd0YX8-LlUMDe-SmO85wJMOSXGFV9ChV0b_jCPtzG15M_wkPnVo1JvKcTje31zFmYaXPzz0WiPyBK2vbRpp-PyhQ45Oq9PVmdtFCb02H980-hKyY8xokY6IGKPxKhvf9elFUEXjuB/s1600/worms+head+view+blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Worms Head view 5.8.2004 Jill Evans" border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXXpUwd0YX8-LlUMDe-SmO85wJMOSXGFV9ChV0b_jCPtzG15M_wkPnVo1JvKcTje31zFmYaXPzz0WiPyBK2vbRpp-PyhQ45Oq9PVmdtFCb02H980-hKyY8xokY6IGKPxKhvf9elFUEXjuB/s320/worms+head+view+blog.jpg" title="Worms Head view 5.8.2004 Jill Evans" width="320" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Worms Head view 5.8.2004 Jill Evans</span></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 10pt; line-height: 115%;"><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;">I have added this list of some of the places I recall walking, each
has some significance to my drawing . As memories reappear I will
add them, it’s more or less in chronological</span> order.<o:p></o:p></span></span></div>
jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0tag:blogger.com,1999:blog-5101258720256448739.post-62277147650734754102013-05-13T03:40:00.003-07:002013-07-03T02:08:43.241-07:00Installed in the National Gallery<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="font-family: Verdana; mso-spacerun: yes;"></span></span></span></span></span></span><br />
<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"></span></span></span></span></span></span><br />
<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: Verdana, sans-serif;">Installing <span style="color: black; font-family: "Tahoma","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">TQ 15807 53205 - <span style="color: black; font-family: "Tahoma","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">Charcoal on paper Approx 82cm wide x 200cm long<o:p></o:p></span>. 2013</span></span></span></span></span></span></span></span><br />
<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="color: black; font-family: "Tahoma","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span></span></span></span></span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvCbVU3WqB76hNjkgwWedRyZUmAe0u9dJkV-cOp0C8KA9Dh1fJV2l7zbBsB86qTOFh46un6ByfMPehtL-CaI7w9YyYTwOCzkwBHTn_rSROJIPjHRPbzz3nUTMoFx4ivQbrfwTs4YXaUJyr/s1600/ng+from+google+plus+P3030162.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Retracing the pathway through Druids Grove" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvCbVU3WqB76hNjkgwWedRyZUmAe0u9dJkV-cOp0C8KA9Dh1fJV2l7zbBsB86qTOFh46un6ByfMPehtL-CaI7w9YyYTwOCzkwBHTn_rSROJIPjHRPbzz3nUTMoFx4ivQbrfwTs4YXaUJyr/s400/ng+from+google+plus+P3030162.jpg" title="Retracing the pathway through Druids Grove" width="282" /></a><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"></span></span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"><span style="color: black; font-family: "Tahoma","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="font-family: Verdana, sans-serif;">Drawn after walking, <span style="mso-spacerun: yes;"></span>noticing, <span style="mso-spacerun: yes;"></span>connecting, <span style="mso-spacerun: yes;"></span>differences<span style="mso-spacerun: yes;"> on a local walk.</span></span></span></span></span></span><br />
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</span>jill evanshttp://www.blogger.com/profile/05694348193302497166noreply@blogger.com0